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A fascinating exploration of how global cultures struggle to create their own "America" within a post-9/11 media culture, Fabricating the Absolute Fake reflects on what it might mean to truly take part in American pop culture.
Shooting the Family, a collection of essays on the contemporary media landscape, explores ever-changing representations of family life on a global scale. The contributors argue that new recording technologies allows families an unusual kind of freedom—until now unknown—to define and respond to their own lives and memories. Recently released videos made by young émigrés as they discover new homelands and resolve conflicts with their parents, for example, reverberate alongside the dark portrayals of family life in the formal filmmaking of Ang Lee. This book will be a boon to scholars of film theory and media studies, as well as to anyone interested in the construction of the family in a postmodern world.
This essay explores the pulsating relationship of global networks and local communities in the light of media development.
25 jaar Volkskrant Magazine: 'Volkskrant Magazine - het boek', met de alle covers en de beste interviews uit 'Volkskrant Magazine'. Al vijfentwintig jaar kijken duizenden mensen elke zaterdagochtend uit naar Volkskrant Magazine, de populaire bijlage van de Volkskrant op zaterdag. Niet alleen vanwege de geroemde en vaak bekroonde covers maar ook vanwege de interviews waarover het hele weekend en de dagen erna gesproken wordt. Vanwege het jubileum verschijnt dit najaar Volkskrant Magazine - het boek in een prachtige fullcolouruitgave met vijfentwintigjaar spraakmakende covers en interviews. - Met anekdotes van journalisten als Sara Berkeljon, John Schoorl en Cornald Maas. - Memorabele interviews met Linda de Mol, Peter R. de Vries, de ouders van Theo van Gogh, Mies Bouwman en ruim dertig anderen. - Vormgegeven door Volkskrants eigen art-director coverjunkie Jaap Biemans.
This book bridges the gap between strengthening the ‘employee brand’ and the building ‘external brand image’ by synthesizing the two approaches. The result is a blurring of the boundaries and assigning creative powers to both. A customer has a number of interactions with the company, and each of these interactions has an impact on the brand equity account – either positive or negative. Examples of interactions include: the product itself, the purchasing process, the consumption experience, the ‘face’ of the organization, the call center, media etc. The real issue for the company is how to translate the optimized ‘ideal’ customer journey into effective company programmes, ho...
Hugh O'Donnell provides a comprehensive analysis of the soap opera format throughout Europe (including the UK and the Republic of Ireland) covering not only home-produced soaps, but also imported foreign soaps screened throughout Europe too.
Floods are a fundamental part of Dutch history. Indeed, having ‘tamed’ the threats associated with living below sea level is part of Dutch national identity. In the cultural depictions of these devastating events, however, national pride at a certain collective resilience goes hand-in-hand with the collective trauma of exposed vulnerability. All too often, the Dutch were the losers in these battles against the elements. In a time of rising global sea levels, cultural scholar Lotte Jensen dives into the stories and images of the past to unpack this paradox for today. Over the centuries, large parts of the Netherlands have been progressively reclaimed from its river delta home. Throughout ...
Interviews met succesvolle Nederlandse ondernemers.
This book explores the challenges facing women from their mid-forties as they attempt to build/maintain careers in the screen industries. Essays are concerned with the intersection of gender and age on screen and behind the camera and how that can create a ‘double jeopardy’. Existing research in this area has been primarily directed to onscreen representation. Female actors, with notable exceptions, struggle to get screen time and expansive roles as they age. Behind the camera, women 45+ also face challenges and roadblocks; to date, less attention has been directed to this group. The cross-cultural research in this collection offers an analysis of representation, on and off screen, touching on film, television, streaming services and film festivals. It includes an exploration of gendered ageism, age bias and stereotyping. It also highlights the achievements of mature female practitioners who, in their work and working lives, embody a resistance to restrictive cultural discourses about ageing women.