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Ms. magazine called Charting by the Stars "a memorable account of growing up about the ways we invent and reinvent ourselves reminiscent of Margaret Atwood's Surfacing." Linsey Abrams' passionate and eloquent first novel chronicles one girl's coming of age, from a 1950s childhood into the '60s world of New York. Her love affair with another woman begins a profound shift of identity and world. The New York Times said of this nationally reviewed novel: "Abrams has a superb talent for the specific. . . . She [has] her own style--a mixture of introspection, common sense, daydreaming and recollection-and controls it beautifully."
Our History in New York covers a single year in the lives of narrator Chloe, her long-time lover, Helen, and their friends. From AIDS to the glory of Greenwich Village to romance and aging, the novel addresses time, art, mortality, and community at a century’s end. The New York Times said of this nationally reviewed author: “Abrams has a superb talent for the specific . . . She [has] her own style-a mixture of introspection, common sense, daydreaming and recollection-and controls it beautifully.” Sojourner called “each chapter an exquisite short story. . . . Abrams paints . . . neighborhoods with the precision of the old Dutch Masters.”
This encyclopedia lists, describes and cross-references everything to do with American opera: works (both operas and operettas), composers, librettists, singers, and source authors, along with relevant recordings. The approximately 1,750 entries range from ballad operas and composers of the 18th century to modern minimalists and video opera artists. Each opera entry consists of plot, history, premiere and cast, followed by a chronological listing of recordings, movies and videos.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Mentorship continues to loom large in stories about women's work and personal lives— sometimes for the better, but often for the worse. If mentors can nurture and support, they can also bitterly disappoint, reproducing the hardships they once suffered and reinforcing the same old hierarchies and inequities. The stories gathered in Feminists Reclaim Mentorship challenge our fundamental assumptions about mentorship, illuminating the obstacles that make it difficult to connect meaningfully and ethically while reimagining the possibilities for reciprocity. Does mentorship require sameness? Might we find more inventive, collaborative ways to bond than the traditional top-down model of mentoring? Drawing on their experiences in academia, creative writing, publishing, and journalism, the volume's editors, Nancy K. Miller and Tahneer Oksman, and their twenty-six contributors collectively strive for relationships that acknowledge differences alongside the importance of common bonds. Feminists Reclaim Mentorship will resonate across workspaces and arrives at a moment when the need to form feminist connections within and between generations couldn't feel more urgent.
Large Print. The Last Sky recounts the story of Maya Wise a young wife alone in Hong Kong. British rule is coming to an end and so is Maya's marriage. She drifts, wandering aimlessly through the crowded city streets. Captivated by an elderly Chinese man and his caged nightingale, she follows him home. But Ken Tiger is a man with a past. As Maya draws out his tale of lost love in wartime Shanghai, she pieces together other stories, other histories that will help her to imagine a new life for herself.
Heartbreaking and haunting, wholly inventive, the unforgettable stories of Nelly Reifler's debut collection, See Through, imagine a world where the emotional logic of our dreams and childhood fantasies rule our actions. In the title story, an educated young woman sits behind the glass of a talk booth in a peep show and becomes a different girl for each man who visits. A thorn in a little girl's scalp becomes the physical locus for her painter father's grief and helplessness following his wife's leaving in "The Splinter." "Teeny" tells the story of an awkward, solitary pubescent girl who can't bring herself to perform the simple task of feeding the vacationing neighbors' cats. In "Baby," an i...
A collection of twenty-four essays by American author Eliot Weinberger, in which he discusses his personal travels around the world, and other topics.
Small Worlds examines the minimalist trend in French writing, from the early 1980s to the present. Warren Motte first considers the practice of minimalist in other media, such as the plastic arts and music, and then proposes a theoretical model of minimalist literature. Subsequent chapters are devoted to the work of a variety of contemporary French writers and a diversity of literary genres. In his discussion of minimalism, Motte considers smallness and simplicity, a reduction of means (and the resulting amplification of effect), immediacy, directness, clarity, repetition, symmetry, and playfulness. He argues that economy of expression offers writers a way of renovating traditional literary ...