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Into the Light
The first major retrospective of the last member to join the Group of Seven, L.L. Fitzgerald Into the Light: The Art of Lionel LeMoine FitzGerald, is a comprehensive and diverse examination of the impact and lasting influence of Lionel LeMoine FitzGerald, the last member of the Group of Seven, joining in 1932, and the only member to live in western Canada. Co-curated by Sarah Milroy, Chief Curator and Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, the exhibition will present more than 200 paintings, drawings and prints, in partnership with the Winnipeg Art Gallery. This scholarly publication will examine the artists' practice and inspirations through a selection of the exhibition works and essay contributions by the curators, Winnipeg Art Gallery Chief Curator Andrew Kear, artists Pierre Dorion, Robert Houle and Wanda Koop, writer Robert Enright and prominent Canadian art historians Michael Parke-Taylor and Dr. Oliver A.I. Botar.
FitzGerald as Printmaker
FitzGerald as Printmaker includes every known print made by the artist, most of them reproduced in actual size. The accompanying commentary describes the prints, the circumstances under which they were made, the artist’s comments about them, and the methods and techniques he used to achieve the effects he wanted. Written in a clear and lively style, and based on meticulous research, FitzGerald as Printmaker is the definitive volume for the appreciation of FitzGerald’s prints, and for much of his other work as well.
Christopher Pratt
Catalogue of an exhibition held at the The Rooms in St, John's, NL, from May to September 2015.
Defiant Spirits
Beginning in 1912, Defiant Spirits traces the artistic development of Tom Thomson and the future members of the Group of Seven, Franklin Carmichael, Lawren Harris, A. Y. Jackson, Franz Johnston, Arthur Lismer, J. E. H. MacDonald, and Frederick Varley, over a dozen years in Canadian history. Working in an eclectic and sometimes controversial blend of modernist styles, they produced what an English critic celebrated in the 1920s as the “most vital group of paintings” of the 20th century. Inspired by Cézanne, Van Gogh and other modernist artists, they tried to interpret the Ontario landscape in light of the strategies of the international avant-garde. Based after 1914 in the purpose-built ...
