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From New York Times bestselling author Alice Hoffman and master knitter Lisa Hoffman comes Faerie Knitting, a magical melding of words and yarn where the ordinary is turned into the extraordinary and where imagination becomes creation. The magic of storytelling and the magic of knitting—woven together in 14 original patterns inspired by each story. “How fairy tales are told and remembered has a great deal in common with knitting traditions. It is no mistake that we describe storytelling as knitting a tale, or weaving a story, or spinning a yarn.”—Alice Hoffman, from the Introduction of Faerie Knitting Featuring fourteen original fairy tales, Faerie Knitting is an entrancing collectio...
History of art.
Chinese urbanization, including the daily life, migration strategies, and life choices of villagers and townspeople, is the focus of this study by Chinese and North American scholars. The study looks at the urbanization process and the vitality of post-reform Chinese society.
Longitudinal Analysis provides an accessible, application-oriented treatment of introductory and advanced linear models for within-person fluctuation and change. Organized by research design and data type, the text uses in-depth examples to provide a complete description of the model-building process. The core longitudinal models and their extensions are presented within a multilevel modeling framework, paying careful attention to the modeling concerns that are unique to longitudinal data. Written in a conversational style, the text provides verbal and visual interpretation of model equations to aid in their translation to empirical research results. Overviews and summaries, boldfaced key te...
This is a story about a material scientist who happens upon an anomaly during a business trip to New Guinea. The anomaly tempts his curiosity. Unknowingly, his curiosity leads him into opening a door into the hidden world of the traffic of terrorism. This story is about terrorism set in a peaceful, collegiate environment in the heart of Chicago.
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This book focuses on the subjectivities of stock market investors to explore tensions within the Chinese state’s engagement in contemporary financial capitalism. It adopts a genealogical method to investigate how the production of foreign-trained financial experts (haigui) and informal experts (sanhu) points to paradoxes in China’s efforts to cultivate financial expertise. Chinese financialisation relates to the state’s project of financialising human capital in reaction to a contractualised labour market and the vanishing welfare state. Through ethnographic inquiry, Dal Maso shows the Chinese stock markets are crucial to the new redistributive regime where wage labour risks losing its primacy. Here, one can observe how the relationship between money and wages in China is being reworked and witness the development of a new economic order in which the state’s legitimacy becomes increasingly dependent on its capacity to jiushi–to rescue the market in times of crisis.
With nostalgic glances to the past and visionary gazes into the future, Lynne Perrella and the contributing artists follow inspiration rather than tradition to present dolls that are charismatic, colorful and full of surprises. Technique related details are provided in each chapter's details dossier, where we are invited to go behind the scenes, into the artists studios. Take an up close and personal look to get the inside story on how the artists used paper and other exciting mediums to create their dolls. Artists include Nina Bagley, Lesley Riley, Judi Riesch, Lynn Whipple, Teesha Moore, Karen Michel, Jane Cather, Akira Blount, Laurel Hall and Maria Moya who expolore the human form to create paper personas that are expressive, innovative and insightful.
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American Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales.