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In His Milieu
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.
Gainsborough's Vision
Thomas Gainsborough, one of the most popular British painters, has been celebrated as a landscapist, a portrait painter, and a man of feeling whose impetuous character is revealed in his art, life and letters. This book reveals that the style, themes and ideas of Gainsborough’s paintings constitute purposeful expressions of an intellectual and visual culture whose importance in the development of eighteenth-century British art has gone unrecognized. "Amal Asfour and Paul Williamson have set out to make us look more knowledgeably at the paintings of Gainsborough... their treatment is richly informative."—George Steiner, The Observer "Asfour and Williamson display a profound knowledge of 18th-century aesthetics... a highly stimulating book."—The British Art Journal
Inside Culture
Are there differences in artistic preferences between social classes or races or between urban and suburban homes? Similarities? How do choices in art works - and the way we display them - speak to our dreams, desires, pleasures, and fears? And what do they say about the real cultural boundaries between elite and popular, high and low?
Buying and Selling
Buying and Selling explores the many facets of the business of books across and beyond Europe, adopting the viewpoints of printers, publishers, booksellers, and readers. Essays by twenty-five scholars from a range of disciplines seek to reconstruct the dynamics of the trade through a variety of sources. Through the combined investigation of printed output, documentary evidence, provenance research, and epistolary networks, this volume trails the evolving relationship between readers and the book trade. In the resulting picture of failure and success, balanced precariously between debt-economies, sale strategies and uncertain profit, customers stand out as the real winners.
Vermeer's Wager
Vermeer's Wager stands at the intersection of art history and criticism, philosophy and museology. Using a familiar and celebrated painting by Johannes Vermeer as a case study, Ivan Gaskell explores what it might mean to know and use a work of art. He argues that art history as generally practiced, while successfully asserting certain claims to knowledge, fails to take into account aspects of the unique character of works of art. Our relationship to art is mediated, not only through reproduction – particularly photography – but also through displays in museums. In an analysis that ranges from seventeenth-century Holland, through mid-nineteenth-century France, to artists' and curators' practice today, Gaskell draws on his experience of Dutch art history, philosophy and contemporary art criticism. Anyone with an interest in Vermeer and the afterlife of his art will value this book, as will all who think seriously about the role of photography in perception and the core purposes of art museums.
Renaissance Theories of Vision
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstr...
The Cambridge Companion to Bunyan
John Bunyan was a major figure in seventeenth-century Puritan literature, and one deeply embroiled in the religious upheavals of his times. This Companion considers all his major texts, including The Pilgrim's Progress and his autobiography Grace Abounding. The essays, by leading Bunyan scholars, place these and his other works in the context of seventeenth-century history and literature. They discuss such key issues as the publication of dissenting works, the history of the book, gender, the relationship between literature and religion, between literature and early modern radicalism, and the reception of seventeenth-century texts. Other chapters assess Bunyan's importance for the development of allegory, life-writing, the early novel and children's literature. This Companion provides a comprehensive and accessible introduction to an author with an assured and central place in English literature.
Family, Culture and Society in the Diary of Constantijn Huygens Jr, Secretary to Stadholder-King William of Orange
Based on analysis of a diary kept by Constantijn Huygens Jr, the secretary to Stadholder-King William of Orange, this book proposes a new explanation for the invention of the modern, private diary in the 17th century. At the same time it sketches a panoramic view of Europe at the time of the Glorious Revolution and the Nine Years' War, recorded by an eyewitness. The book includes chapters on such subjects as the changing perception of time, book collecting, Huygens's role as connoisseur of art, belief in magic and witchcraft, and gossip and sexuality at the court of William and Mary. Finally this study shows how modern scientific ideas, developed by Huygens's brother Christiaan Huygens, changed our way of looking at the world around us.
Crowning Glories
Crowning Glories integrates Louis XIV's propaganda campaigns, the transmission of Northern art into France, and the rise of empiricism in the eighteenth century - three historical touchstones - to examine what it would have meant for France's elite to experience the arts in France simultaneously with Netherlandish realist painting. In an expansive study of cultural life under the Sun King, Harriet Stone considers the monarchy's elaborate palace decors, the court's official records, and the classical theatre alongside Northern images of daily life in private homes, urban markets, and country fields. Stone argues that Netherlandish art assumes an unobtrusive yet, for the history of ideas, surp...
Journey through Landscape in Seventeenth-Century Holland: The Haarlem Print Series and Dutch Identity
The sets of landscape etchings produced in the second decade of the seventeenth century by Claes Jansz. Visscher, Esaias van den Velde, Willem Buytewech, and Jan van de Velde drew on and contributed to a print culture that played a key role in defining "Dutch" landscape. Examination of these printed landscape series as part of a wide-ranging print culture underscores the consistent interrelationship of landscape, history, and politics. To varying degrees, the contemporaneous descriptive geographies, histories, allegorical tableaux, didactic prints, and poetic anthologies considered in this study provide parallels for the prints' serial structure, journey theme, and commemorative motifs. More...
