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In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Roy Daniells (1902-1979), an English professor who finished his career at the University of British Columbia, and an outstanding scholar, teacher and poet, influenced at least four generations of students.
“It’s an autobiography! If I tell you what’s in it you won’t read the book.” — Claire Drainie Taylor Or would you? Maybe you’d be intrigued by the progression of a life begun as an unexceptional little girl born to a middle-class Jewish Canadian couple in a small prairie town who, at age sixteen, married a refined Englishman, and survived the Great Depression, partly alone in a shack in the woods of Vancouver Island. Or how, only a few months after returning to Vancouver, with no training and minimal education, this same young woman walked on stage at one of Canada’s finest old theatres, and went on to a successful thirty-year career as an actress and radio dialogue writer. Having been compelled by her family to write her memoir, it wasn’t until she’d finished and reread her manuscript that Claire Drainie Taylor realized what an extraordinary life she’d led. Her descriptions of the many fascinating incidents that make up her story, and how she dealt with them, revealed herself to herself in a way that illuminates what she calls “The Surprise of My Life.”
The colourful story of Don Harron’s 77-year career in the entertainment business. After 15 books about somebody else (mostly alter ego Charlie Farquharson) plus one book by his drag-queen character, Charlie’s rich city cousin Valerie Rosedale, Don Harron now presents the story of his 77-year stint in the entertainment business. The actor’s colourful career includes such highlights as making money in 1935 as a 10-year-old cartoonist doing mother-and-son banquets; winning an ACTRA Award as best radio host for Morningside; six stage shows on Broadway, three in London’s West End, and 10 years of Shakespeare in three countries; a Gemini Award for lifetime achievement; writing the lyrics for five musicals, including Anne of Green Gables; and being appointed to the Canadian Country Music Hall of Honours due to his appearances on Hee Haw. Whether playing a serious stage role or hamming it up as Charlie Farquharson, Harron is always insightful and provides a unique perspective on a long life in the entertainment business.
In A Great Duty>/I>L.B. Kuffert shows that the history of Canadian culture from the war to Canada's centenary is much richer and more complex than has previously been recognized. He looks at the responses of cultural critics to such topics as war, reconstruction, science, conformity, personality, and commemoration, catching outspoken observers in the act of synthesizing new interpretations of the contemporary world and protesting the dominance of mass-produced entertainment.English-Canadian cultural critics from across the political spectrum championed self-improvement, self-awareness, and lively engagement with one's surroundings, struggling to find a balance between the social benefits of ...
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Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
From Shakespeare to cop shows, sitcoms to docudramas, for over three decades the CBC has presented viewers with every variety of television drama and has become Canada's closest equivalent to a national theatre. Turn Up the Contrast is the first book to explore the content of Canadian television drama and is both a critical analysis and a survey history of how Canadians have used the medium to tell themselves their own stories. As a part of her research, Mary Jane Miller watched thousands of hours of television, sampling series and viewing in their entirety shorter programs such as movies and mini-series. Asking a variety of questions, she selected a number of programs for detailed analysis, and devotees of The Beachcombers, King of Kensington, Seeing Things, Cariboo Country, Wojeck or A Gift to Last will be pleased to find their favourites among those discussed at length. A University of British Columbia Press / CBC Enterprises Co-Publication.
A national bestseller, The Class is a riveting and personal book from Ken Dryden. On Tuesday, September 6, 1960, the day after Labour Day, class 9G at Etobicoke Collegiate Institute in a suburb of Toronto assembled for the first time. Its thirty-five students, having written special exams, came to be known as the “Selected Class.” They would stay together through high school, with few exceptions. They would spend more than two hundred days a year together. Few had known each other before. Few have been in other than accidental contact in all the decades since. Their ancestors were almost all from working-class backgrounds. Their parents had lived their formative years through depression ...
The first-ever study of women in Canadian publishing, Toronto Trailblazers delves into the cultural influence of seven key women who, despite pervasive gender bias, helped advance a modern literary culture for Canada. Publisher Irene Clarke, scholarly editors Eleanor Harman and Francess Halpenny, trade editors Sybil Hutchinson, Claire Pratt, and Anna Porter, and literary agent Bella Pomer made the most of their vocational prospects, first by securing their respective positions and then by refining their professional methods. Individually, each woman asserted her agency by adapting orthodox ways of working within Canadian publishing. Collectively, and perhaps more importantly, their overarching approach emerged more broadly as a feminist practice. Guided by the resolve to make industry-wide improvements, these women disrupted the dominant masculine paradigm and reinvigorated the culture of publishing and authorship in Canada. Through their vision and method these trailblazing women became agents of change who helped transform publishing practice.