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Literati Identity and Its Fictional Representations in Late Imperial China
Examining three works of vernacular fiction dating from 1750 to 1828, this book studies the intellectual and literary factors that in the mid-Qing dynasty contributed to the development of vernacular fiction of unprecedented scholarly and satirical sophistication.
The Art of Pollination
'This moving book masterfully gets to the heart of what makes Jane Tewson and Igniting Change such unique, uniting powers. I’ve never met anyone quite like Jane. She is an unassuming force of nature who quietly goes about transforming the world and lighting up lives wherever she goes.' – Sir Richard Branson In the early 1980s, Jane Tewson transformed how charity worked in Britain, giving status to people who had previously been given to. The cream of English comedy gathered around her vision, bringing about Comic Relief, now a British institution; and brilliant, fun ideas like Red Nose Day. In 1999, Jane moved to Australia and started her 'intentionally tiny charity', Igniting Change. In The Art of Pollination, Martin Flanagan tells Jane Tewson's inspirational story as a spark for social change.
Trouble at Table 5 #1: The Candy Caper
From the author of Stick Dog comes the first book in a highly illustrated early chapter book series about three best friends whose plans, missions, and schemes are sure to shake up their school. Molly gets things stuck in her head sometimes. When she sees a jar of candy on Principal Shelton’s desk, she absolutely needs to know how many candies are in that jar! Luckily, her two best friends, Simon and Rosie, are ready to help her find the answer—even if it means detention for all of them! HarperChapters build confident readers one chapter at a time! With short, fast-paced books, art on every page, and milestone markers at the end of every chapter, they're the perfect next step for fans of I Can Read!
Greyboy
An honest and courageous examination of what it means to navigate the in-between Cole has heard it all before—token, bougie, oreo, Blackish—the things we call the kids like him. Black kids who grow up in white spaces, living at an intersection of race and class that many doubt exists. He needed to get far away from the preppy site of his upbringing before he could make sense of it all. Through a series of personal anecdotes and interviews with his peers, Cole transports us to his adolescence and explores what it’s like to be young and in search of identity. He digs into the places where, in youth, a greyboy’s difference is most acutely felt: parenting, police brutality, Trumpism, depression, and dating, to name a few. Greyboy: Finding Blackness in a White World asks an important question: What is Blackness? It also provides the answer: Much more than you thought, dammit.
Literati Lenses
Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associa...
Literati and Self-Re/Presentation
This study of the Chinese novel in the eighteenth century, arguably one of the greatest periods of the genre, focuses on the autobiographical features of three important works: The Dream of the Red Chamber, or The Story of the Stone (Honglou meng), The Scholars (Rulin waishi), and the relatively neglected The Humble Words of an Old Rustic (Yesou puyan). The author seeks for answers to the question of why the Chinese novel was becoming increasingly autobiographical during the eighteenth century, even as explicitly autobiographical writing was in a decline. He suggests that several new trends in the development of the genre (such as the accelerated "literatization" process) and the changing st...
Folk Literati, Contested Tradition, and Heritage in Contemporary China
In this important ethnography Ziying You explores the role of the "folk literati" in negotiating, defining, and maintaining local cultural heritage. Expanding on the idea of the elite literati—a widely studied pre-modern Chinese social group, influential in cultural production—the folk literati are defined as those who are skilled in classical Chinese, knowledgeable about local traditions, and capable of representing them in writing. The folk literati work to maintain cultural continuity, a concept that is expressed locally through the vernacular phrase: "incense is kept burning." You's research focuses on a few small villages in Hongtong County, Shanxi Province in contemporary China. Th...
AJi'an Literati and the Local in Song-Yuan-Ming China
Drawing on largely local sources, including local gazetteers and literati inscriptions for religious sites, this book offers a comprehensive examination of what it means to be 'local' during the Southern Song, Yuan and Ming dynasties in Ji'an prefecture (Jiangxi). It argues that 'belonging locally' was important to Ji'an literati throughout this period. How they achieved that, however, changed significantly. Southern Song and Yuan literati wrote about religious sites from within their local communities, but their early Ming counterparts wrote about local temples from their posts at the capital, seeking to transform local sites from a distance. By the late Ming, temples had been superseded by other sites of local activism, including community compacts, lineage prefaces, and community covenants.
Form and Feeling in Japanese Literati Culture
This book explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saikō (1787–1861), Masaoka Shiki (1867–1902), and Natsume Sōseki (1867–1916) – experimented with the poetic artifice afforded by the East Asian literati (bunjin) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature.
Daoist Philosophy and Literati Writings in Late Imperial China
This volume first explores the transformation of Chinese Daoism in late imperial period through the writings of prominent intellectuals of the times. In such a cultural context, it then launches an indepth investigation into the Daoist dimensions of the Chinese narrative masterpiece, The Story of the Stone—the inscriptions of Quanzhen Daoism in the infrastructure of its religious framework, the ideological ramifications of the Daoist concepts of chaos, purity, and the natural, as well as the Daoist images of the gourd, fish, and bird. Zhou presents the central position of Daoist philosophy both in the ideological structure of the Stone, and the literati culture that engenders it.
