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Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin." In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marull...
A union list of serials commencing publication after Dec. 31, 1949.
Anton Chekhov's representations of children have generally remained on the periphery of scholarly attention. Yet his stories about children, which focus on communication and the emergence of personhood, also illuminate the process by which the author forged his own language of expression and occupy a uniquely important place within his work. Chekhov's Children explores these stories – dating from Chekhov's early writings in the 1880s – as a distinct body of work unified by the theme of maturation and by the creation of a literary model of childhood. Nadya Peterson describes the evolution of Chekhov's model and its connection with the prevalent views on children in the literature, educati...
What made Chekhov tick? What served as a source of creative inspiration in his life? In answering these questions, Russian scholar Rosamund Bartlett focuses on the writer's intimate relationship with the places where he lived and traveled--Taganrog and the southern Russian steppes, Moscow, Petersburg, Siberia, the French Riviera, and Yalta. By looking at his life through the prism of these landscapes, it is possible to gain a far greater insight into one of the most enigmatic writers who ever lived. Chekhov: Scenes from a Liferestores the humor and warmth to a man too often seen as merely melancholic, and reminds us why many consider him to be the greatest short-story writer of all time.