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Liz Rideal
None
Self-portraits
Exploring what motivates artists to paint or photograph themselves, the author selects over 100 self-portraits from the National Portrait Gallery to examine the style, techniques and personalities of the sitters, including William Hogarth, Thomas Gainsborough, Angelica Kauffmann, and more.
Liz Rideal
Liz Rideal's large images could be mistaken for abstract paintings whereas in fact they are composed of tens of tiny photographs - photo strips from photobooths - which she manipulates into figurative representations.
How to Read Paintings
How to Read Paintings is a valuable visual guide to Western European painting. Through a gallery of artworks accompanied by informative commentary, it enables readers to swiftly develop their understanding of the grammar and vocabulary of painting, and to discover how to look at diverse paintings in detail, closely reading their meanings and methods.In the first part of the book, the Grammar of Paintings, the author reveals how to read paintings by considering five key areas: shape and support, medium and materials, composition, style and technique, and signs and symbols, as well as the role of the artist. In the second part, we explore fifty paintings through extracted details, accompanied by insightful commentary, training the reader and viewer to understand context and discover meaning within art.As a collection, the pictures featured in How to Read Paintings have a strong relationship with one another, and underpin the story of painting. This book will be a valuable tool whether you are viewing the real thing on a gallery wall, or simply reading around the subject to learn more about Western art.
Mirror, Mirror
"Mirror Mirror explores the history and function of the self-portrait in the work of forty women artists, from the seventeenth century to the present day. It covers works in all media, from oil painting to photography, from woodcut to ceramic sculpture, and includes self-portraits from such major artists as Mary Beale, Gwen John and Dame Barbara Hepworth; as well as lesser-known figures such as the Zinkeisen sisters, Madame Yevonde and Lee Miller. There are also portraits by women artists known primarily for their work in other media - including the self-portrait relief by Susie Cooper." "The works themselves appear chronologically, and include full biographical details of the artists. They are supported by essays from two leading art historians in this academic field: Whitney Chadwick, who discusses ideas of style and technique, including the artists' exploration of their own identity, and Frances Borzello, who presents the historical background and artistic context to the illustrated works."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Liz Rideal
None
Madam and Eve
How do women paint or photograph each other? How do they represent each other in performance or sculpture? As mothers or heroines? With tenderness, aggression or respect? Madam & Eve explores the female gaze as it focuses on other women. The authors – an artist and a curator – investigate the work of over 200 artists, ranging from the well-established to the lesser known. A historical introduction sets up the artistic and cultural context for the rest of the book, which focuses on art since the 1970s and covers the universal themes of the body, life, death, stories, and icons. The result is an amazing parade of artworks: eye-catching, poignant, powerful, political, idiosyncratic, playful, awkward, passionate, sexy, and positive. It is also an eloquent examination of the impact that the feminist movement has had on contemporary art.
How to Read Art
This charmingly illustrated, highly informative field guide to understanding art history is small enough to fit in a pocket yet serious enough to provide real answers. This seventh entry in the hugely popular How to Read series is a one-stop guide to understanding the world’s great artworks. The book explains the aesthetics of schools of painting from the Renaissance masters and Impressionists to the Cubists and Modernists. It enables readers to develop swiftly an understanding of the vocabulary of painting and to discover how to look at diverse paintings in detail.In the first part of the book, the author reveals how to read paintings by considering five key areas: shape and support, style and medium, compositional devices, genre, and the meaning of recurring motifs and symbols. The second part explores fifty paintings through extracted details, accompanied by insightful commentary, training the reader and viewer to understand context and discover meaning within art. How to Read Art is the perfect companion for anyone interested in paintings and a book that no art lover’s home should be without.
The Erotic Cloth
Through their metaphorical and material qualities, textiles can be seductive, exciting, intimate and, at times, shocking and disquieting. This book is the first critical examination of the erotically charged relationship between the surface of the skin and the touch of cloth, exploring the ways in which textiles can seduce, conceal and reveal through their interactions with the body. From the beautiful cloth which is quietly suggestive, to bold expressions of deviant sexuality, cloth is a message carrier for both desiring and being desired. The drape, fold, touch and feel, the sound and look of cloth in motion, allow for the exploration of identity as a sensual, gendered or political experie...
Shibusa
This book celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol the hand-made machine - by Adkins and Dickens both within the production...
