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Essay by Jeanette WintersonInterview with Tim Marlow
Published to accompany the exhibition of the same name held at the White Cube, London, 20 April - 26 May 2012.
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Originally published in 1976 by Parents' Magazine Press.
The most comprehensive book on the work of Liza Lou, whose popular and critically acclaimed installations made entirely of beads consider the important themes of women, community, and the valorization of labor. Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labor, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou's long-standing exploration of materiality, process, and beauty. Working within a craft métier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa. Over the past fifteen years, Lou has focused on a poetic approach to abstraction as a way to highlight the process underlying her work. In this comprehensive volume that considers the entirety of Lou’s singular vision, curators, art historians, and artists offer important perspectives on the breadth of the work.
Aside from meeting some of the most famous artists of our time, from Marcel Duchamp to Bob Dylan, Tucker's personal story involves a tragic family life and years as a starving artist, related poignantly but without pandering. Deftly edited by close friend and artist Lou, this is an arresting tour of a life devoted to new art, with a perfectly charming guide"--PW Annex Reviews.
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CRAFT is the first project-based magazine dedicated to the renaissance that is occurring within the world of crafts. Celebrating the DIY spirit, CRAFT's goal is to unite, inspire, inform and entertain a growing community of highly imaginative people who are transforming traditional art and crafts with unconventional, unexpected and even renegade techniques, materials and tools; resourceful spirits who undertake amazing crafting projects in their homes and communities. Volume 01, the premier issue, features 23 projects with a twist! Make a programmable LED shirt, turn dud shoes into great knitted boots, felt an iPod cocoon, embroider a skateboard, and much more.
The Taste of Art offers a sample of scholarly essays that examine the role of food in Western contemporary art practices. The contributors are scholars from a range of disciplines, including art history, philosophy, film studies, and history. As a whole, the volume illustrates how artists engage with food as matter and process in order to explore alternative aesthetic strategies and indicate countercultural shifts in society. The collection opens by exploring the theoretical intersections of art and food, food art’s historical root in Futurism, and the ways in which food carries gendered meaning in popular film. Subsequent sections analyze the ways in which artists challenge mainstream ide...