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The Literary Gazette
  • Language: en
  • Pages: 844

The Literary Gazette

  • Type: Book
  • -
  • Published: 1823
  • -
  • Publisher: Unknown

None

The Literary Gazette and Journal of Belles Lettres, Arts, Sciences
  • Language: en
  • Pages: 426

The Literary Gazette and Journal of Belles Lettres, Arts, Sciences

  • Type: Book
  • -
  • Published: 1819
  • -
  • Publisher: Unknown

None

Masonic Catalogue of the Library of the Grand Lodge of Pennsylvania, Free and Accepted Masons, January 1st, 1880
  • Language: en
  • Pages: 70

Masonic Catalogue of the Library of the Grand Lodge of Pennsylvania, Free and Accepted Masons, January 1st, 1880

Reprint of the original, first published in 1881.

The Literary chronicle and weekly review
  • Language: en
  • Pages: 840

The Literary chronicle and weekly review

  • Type: Book
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  • Published: 1823
  • -
  • Publisher: Unknown

None

Somerset House Gazette and Literary Museum, Or, Weekly Miscellany of Fine Arts, Antiquities, and Literary Chit Chat
  • Language: en
  • Pages: 436
Somerset House Gazette, and Literary Museum; Or, Weekly Miscellany of Fine Arts, Antiquities, and Literary Chit Chat ...
  • Language: en
  • Pages: 432
Literary Gazette and Journal of Belles Lettres, Arts, Sciences, &c
  • Language: en
  • Pages: 838

Literary Gazette and Journal of Belles Lettres, Arts, Sciences, &c

  • Type: Book
  • -
  • Published: 1819
  • -
  • Publisher: Unknown

None

Annual Report of the American Historical Association
  • Language: en
  • Pages: 1298

Annual Report of the American Historical Association

  • Type: Book
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  • Published: 1898
  • -
  • Publisher: Unknown

None

British Short Fiction in the Early Nineteenth Century
  • Language: en
  • Pages: 200

British Short Fiction in the Early Nineteenth Century

  • Type: Book
  • -
  • Published: 2016-05-23
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  • Publisher: Routledge

In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.