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As she sat in her bed reading from a book, seven-year-old Elise Rose was unaware that her childhood would be over by morning. She was too young to know that violent hands played cruel tricks or that innocence held little fight against cheap beer and cigarette butts. After the trauma of childhood, Elise, now twenty years old, walks the streets in need of escape. The town around her has become stained and the ghost of a loved one will not let her rest. So, when she stumbles across an isolated house at the end of Darcy Lane, she believes that she has found the thing that she needs more than any other. The house is away from town, surrounded by green fields and absent of the memories that she would rather forget. The house is bright in the morning sun and soon becomes lodged in her imagination. So, the question is set. How far is she willing to go in search of absolution?
London Notebook features drawings and watercolours by artist Graham Byfield, who turns his keen eye and delicate brush to recording the enchanting architecture and landscapes of this iconic city. The perfect gift for stationery lovers and art enthusiasts alike.
Marries more than 150 pencil drawings and watercolor paintings with a brief history of this great European city and its architecture.
London, the 1880s, and Jack the Ripper is at large. Two childhood friends meet again having found very different fortunes in the fog-bound, Ripper-stalked streets of Victorian London. Plain but witty Dot is a music hall star; pretty Kate (Eddowes, a true-life Ripper victim) has fallen on hard times. 'Poignant and unsentimental, Dot's whipllash humour had me cheering' DAILY MAIL When star of London's Victorian music hall, Dot Allbones, bumps into her childhood friend Kate Eddowes outside the Griffin theatre in Shoreditch, it's a blast from the past. The two grew up together in the Midlands, but life has treated them very differently since then. Told through the eyes of the irreverent Dot, this is the story of a London populated by chancers, some rich, some destitute. During one hot summer in the 1880s Whitechapel famously became the scene of unspeakable horror, and Kate Eddowes found a grisly fame that would far outshine Dot's. Because out there, in the stews of East London, Saucy Jack is sharpening his knife . . .
Pub Dogs of London is a beautiful, charming coffee-table book of photographic portraits of the many and varied canine regulars of London's inimitable public houses. With a range of famous breeds as well as the expected scruffy mongrels, and with biographical profiles of each pub-visiting pooch, this is the must-have record of the capital's world-famous demi-monde. The book also includes some occasional humorous verse inspired by the images from poet Graham Fulton.
Paul Graham's Beyond Caring published in 1986 is now considered one of the key works from Britain's wave of "New Color" photography that was gaining momentum in the 1980s. While commissioned to present his view of "Britain in 1984," Graham turned his attention towards the waiting rooms, queues and poor conditions of overburdened Social Security and Unemployment offices across the United Kingdom. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable end of society. Books on Books #9 presents every page spread of Graham's controversial book along with a contemporary essay by writer and curator David Chandler.--Publisher.
NOW A MAJOR BBC SERIES "From the incomparable Winston Graham... who has everything that anyone else has, then a whole lot more" The Guardian The Angry Tide is the seventh novel in Winston Graham's sweeping series of Cornwall, Poldark. Cornwall, towards the end of the 18th century. Ross Poldark sits for the borough of Truro as Member of Parliament - his time divided between London and Cornwall, his heart divided about his wife, Demelza. His old feud with George Warleggan still flares - as does the illicit love between Morwenna and Drake, Demelza's brother. Before the new century dawns, George and Ross will be drawn together by a loss greater than their rivalry - and Morwenna and Drake by a tragedy that brings them hope...
A talented new writer whose portrayal of the serious business of assimilation and young masculinity is disturbing and hilarious Hailed as one of the most surprising British novels in recent years, Gautam Malkani's electrifying debut reveals young South Asians struggling to distinguish themselves from their parents' generation in the vast urban sprawl that is contemporary London. Chronicling the lives of a gang of four young middle-class men-Hardjit, the violent enforcer; Ravi, the follower; Amit, who's struggling to come to terms with his mother's hypocrisy; and Jas, desperate to win the approval of the others despite lusting after Samira, a Muslim girl-Londonstani, funny, disturbing, and written in the exuberant language of its protagonists, is about tribalism, aggressive masculinity, integration, alienation, bling-bling economics, and "complicated family-related shit."
This remarkable book presents a modern photographic panorama of the River Thames alongside one created by the Port of London Authority in 1937. "London's Changing Riverscape" is a fascinating study of how the 20th century has changed the face of the historic river. What was then one of the world's busiest ports is now the focus of a city's regeneration, with warehouse conversions, financial institutions, and the Olympics. This updated edition shows in wonderful detail how, despite the sparkling new developments and brash architectural statements that have sprung up, a sense of continuity is apparent when the two panoramas, separated by more than 70 years, are shown side by side.
In this significant rereading of Graham Greene's writing career, Michael Brennan explores the impact of major issues of Catholic faith and doubt on his work, particularly in relation to his portrayal of secular love and physical desire, and examines the religious and secular issues and plots involving trust, betrayal, love and despair. Although Greene's female characters have often been underestimated, Brennan argues that while sometimes abstract, symbolic and two-dimensional, these figures often prove central to an understanding of the moral, personal and spiritual dilemmas of his male characters. Finally, he reveals how Greene was one of the most generically ambitious writers of the twentieth century, experimenting with established forms but also believing that the career of a successful novelist should incorporate a great diversity of other categories of writing. Offering a new and original perspective on the reading of Greene's literary works and their importance to English twentieth-century fiction, this will be of interest to anyone studying Greene.