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Deng Jiajie was one of the trusted generals of the Emperor of Hua Country, Di Long Yun Hao. All the important matters that Dragon-cloud Hao thought of were handed to Deng Jiajie, and the thoughts of the young Emperor, who held a heavy fist, were hard to guess. This time, Deng Jiaze was facing the princess of the former dynasty, Xia Xiaoran. However, not only did Deng's army fail, it was also burned down by Xia Xiaolan's fire. The Princess of the previous dynasty, Xia Xiaoran, was not an ordinary woman. She was a woman from the 21st century, with the countless history she had learnt in her previous life as well as the advanced techniques she had mastered. Even if she was a woman, there were very few people in this world who could surpass her.
After the return of the transcender, all sorts of otherworldly elders would collide within the shop. The person who destroyed a planet with a single punch could only obediently listen to the main character ...
A single mistake on the Road to River Styx had turned him into a poisoned fetus. Not only did he have to pretend to be a man, but he also had to make a fool of himself by pretending to be a popinjay.Fragment I:Feng Ling looked at the peerless pretty boy that had appeared out of thin air on his bed. He then gulped down his saliva. Two strings of captivating red, which seemed to be bursting out from his nostrils ..."If you touch me, you will definitely live a life worse than death!" The pretty boy was enraged."Oh!" How tasty, grandpa, I like that kind of taste! Someone, bring me my whip! And there's the candles I bought yesterday, so I want to love this little beauty a lot, Bahaha! "Fragment I...
A powerhouse that had been subjected to the unwritten rules, a fate that was not under his control, and he who had intertwined with the fate of the spirit pearl, could he break through the shackles of fate and reach the realm where the heavens and earth could be carefree and unfettered? If you want to know more, just look at the Primordius Soul-Pearl ...
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Examines the representation of the interlocking discourses of nationhood and history in Asian cinema. This book deals with film traditions in nine Asian countries, and is useful for Asianists, anthropologists, film scholars, and students of cultural studies and historians.