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Infinity and the Supermen
Looking behind all forms of life to the concealed abode of ultimate conflict the new philosophy overthrows previous critical theory's attempts to clarify the relations among the disparate social struggles of our time in light of a new full unification. The new eros driving the patriarchal Supermen who journey to alternative possible worlds with counterparts that time-travel to the actual world and matriarchal Anti-Supermen who affirm life in the actual world moves from consciousness to world history whose concealed logic it finally reveals.
Satirical Denouncements of the Wicked Americans and We Anti-Matriarchalists
Satire does not reason; it batters into submission. Thus, its first purpose is realized: to overcome an unwillingness to criticize the very subjects a brainwashed populace has deemed its most sacred cows. Satire is kaleidoscopic and disjunctive: it hangs a series of moral portraits on the wall and forces us to look at them. The splendor, squalor, and complexity of the American scene and the witty, high-spirited caricature of modern philosophical schools were never more vividly presented than by Americas first vinegary satirist.Volume Two of We Anti-Matriarchalists presages the crisis toward which our civilization is moving.
THE EXTREMELY CONDENSED ASSAULT PLAYS AND ENIGMATIC EPIGRAMS FOR THE SMART SET
No About the Book at this time.
Elements of the New Metaphysics and Other Writings of the Last Philosopher
Also by this author: Essays on Time and Space Infinity and the Supermen The New Politics: the spirit and fate of conservatism and progressivism Political Mythologies of the Right and the Left are Detected and Overthrown The Sixteen Satires Productions already written: Berengere contra Nietzsche Jeremiads from the Bottom of a Mousehole: reply to Søren Kierkegaard, and other close encounters with the history of theology The Relation of the Artwork to Time and Space: Notes on Aesthetics (excerpted in this volume) Exemplary Epigrams for the Smart Set Elements of the New Sovereignty
The Political Mythologies of the Right and the Left Are Detected and Overthrown
Also by this author: Essays on Time and Space Infinity and the Supermen The New Politics And other works Productions partially completed: The New Sovereignty The New Metaphysics Productions completed: Berengere contra Nietzsche: Four Scenes from an Evangelical Naked Session Jeremiads from the Bottom of a Mousehole: Reply to Søren Kierkegaard and Other Close Encounters with the History of Theology The Relation of the Artwork to Time and Space: Notes on Aesthetics (excerpted in this volume
Dramatic Sketches of Constitutional Conservatism and What Is Xenophobia?
The constitutional conservatives in this modern Socratic dialogue are two celebrity radio broadcast specialists, rhetoricians of simpleminded and well-meaning zeal, who have made a profitable profession of showing others how to make the best of themselves by practicing conservative principles. Their strange interlocutor, exploiting the simplicity of his opponents in his effort to contrast rhetoric with dialectic and whose novel ideas would radicalize conservatism as an ideology, will convince them of their ignorance by clearing their minds of misconceptions and so helping them on their way to knowledge. What is Xenophobia? is an investigation into the fashionable abuse of derogatory words to promote a social goal.
Essays on Time and Space
Fundamental ontology is not possible because of the nonuniformity of time. Physicists privately acknowledge that their time cannot be time itself, what time itself is cannot be known. Fortunately, beyond all putatively definitive ontologies and pharisaical physical scenarios, we catch an astonishing glimpse of time’s dialectic, the secret of historical time, cheek by jowl a sweeping reappraisal of the temporal condition of creators who must climb into deviant spatiotemporal identities. Surging with startling pirouettes, in style, genre, and philosophy, Berengere blasts every tradition and trend.
The New Politics
Dare to perilously entangle yourself inside Berengeres provocative vision of the nature and foundation of political values. He intoxicates. We are in the presence of a red comet in a smog-filled sky. His two formations of books disturb. They attack the readers prejudices. They are very learned. Each book establishes him as brave and original. Each essay in each book is swift, strenuous, and seductive. Each sentence jabs. Berengere alleges that he makes more eye-captivating claims in one spree of pages than most academics dare in a lifetime, and reasonable minds could easily conclude that he is not entirely wrong.
Invectives Against the Idols
Finally, a book of adventure for adventurers that leaves other social commentaries toiling hopelessly in the rear; an unsparing diagnosis for what ails our culture: getting to the bottom of things, hailing the Idols of our reverence before the tribunal of independent scrutiny.- Invectives Against the Idols says what an American writer never says in a book, what an American writer must never say in a book.- Berengere peers into the most distant future and sees the democratic ideals joining arms with an ineluctably emerging matriarchate: the infantile regression to the homogeneity of a cosmic species.
