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The story of the overcoat began with a chance meeting - between an obsessive book collector, Jacques Gurin, and his physician, Dr Robert Proust, brother of the late writer. Gurin immediately glimpsed the possibility of acquiring the novelist's personal effects, but it would be decades before he finally came to possess the relic he had most coveted: Proust's moth-eaten otter-lined overcoat...
Set in the Maremma region of Southern Tuscany, this novel tells the story of two families against the backdrop of a rapidly transforming country. The Biagini are local ranchers, while the wealthy Sanfilippi belong to Rome's upper middle-class. When Sauro, an ambitious rancher, and Filippo, a hedonistic politician, become business partners, the stories of their families become irrevocably intertwined. As an influx of new money pours into the town, political allegiances, family loyalties, moral codes, and sexual identities all begin to shift. Sauro and Filippo, their wives Miriam and Giulia, and their sons, are the prototypes of the new Italy, ostensibly emancipated from traditional mores, but at the same time, insecure and blinkered. Fifteen-year-old Annamaria, fragile and anxious, struggles to find her place among them. Luckily, a parallel world is taking shape nearby: the Tarot Garden, the monumental sculpture garden created by the French-American artist Niki de Saint Phalle. It is in this magical place, through her conversations with the artist, that Annamaria will slowly find a sense of identity and belonging.
This lively chronicle of the years 1847–1947—the century when the Jewish people changed how we see the world—is “[a] thrilling and tragic history…especially good on the ironies and chain-reaction intimacies that make a people and a past” (The Wall Street Journal). In a hundred-year period, a handful of men and women changed the world. Many of them are well known—Marx, Freud, Proust, Einstein, Kafka. Others have vanished from collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich, no chemotherapy. Without Siegfried Marcus, no motor car. Without R...
This book contains essays in honour of Claus Weddepohl who, after 22 years, is retiring as professor of mathematical economics at the Department of Quantitative Economics of the University of Amsterdam. Claus Weddepohl may be viewed as th~ first Dutch mathematical economist in the general equi librium tradition of Arrow, Debreu and Hahn. The essays in this book are centered around the themes Equilibrium, Markets and Dynamics, that have been at the heart of Weddepohl's work on mathematical economics for more than three decades. The essays have been classified according to these three themes. Admittedly such a classification always is somewhat arbitrary, and most essays would in fact fit into ...
At the opening of the "Third Meeting on Celestial Mechanics - CELMEC III", strong sensations hit our minds. The conference (18-22 June 2001) was being held in Villa Mondragone, a beautiful complex of buildings and gardens located within the township of Monte Porzio Catone, on the hills surrounding Rome. A former papal residence, the building has been recently restored by the University of Rome "Tor Vergata" to host academic activities and events. The conference room is called "Salone degli Svizzeri": here, Gregory XIII, on February 24, 1582, gave its sanction to the reform of the Julian calendar and declared officially in use the calendar still adopted nowadays. The magnificent high walls an...
This volume sets Marcel Proust's masterwork, Á la recherche du temps perdu (In Search of Lost Time, 1913–27), in its cultural and socio-historical contexts. Essays by the leading scholars in the field attend to Proust's biography, his huge correspondence, and the genesis and protracted evolution of his masterpiece. Light is cast on Proust's relation to thinkers and artists of his time, and to those of the great French and European traditions of which he is now so centrally a part. There is vivid exploration of Proust's reading; his attitudes towards contemporary social and political issues; his relation to journalism, religion, sexuality, science and travel, and how these figure in the Recherche. The volume closes with a comprehensive survey of Proust's critical reception, from reviews during his lifetime to the present day, including assessments of Proust in translation and the broader assimilation of his work into twentieth- and twenty-first-century culture.
Why did writers' private homes become so linked to their work that contemporaries began preserving them as museums? Photojournalism and the Origins of the French Writer House Museum addresses this and other questions by providing an overview of the social forces that brought writers' homes to the forefront of the French imagination at the end of the nineteenth century and the beginning of the twentieth. This study analyzes representations of the apartments and houses of Corneille, Hugo, Balzac, Dumas, Sand, Zola, Loti, Montesquiou, Mallarm?and Proust, among others, arguing that the writer's home became a contested space and an important part of the French patrimony at this time. This is the ...
The aim of this book is to demonstrate to a wider audience, as well as to a more skilled audience, the many fascinating aspects of modern celestial mechanics. It sets out to do this without the use of mathematics. After giving the reader the technical tools needed for a basic understanding of the underlying physical phenomena (using only elementary mathematics), facts and figures are provided on historical events, modern discoveries and future applications. Contents are divided into major topics where the three "souls" of modern celestial mechanics (dynamical systems, Solar System and stellar systems, spaceflight dynamics) play a major role.
Introduction: Miscellaneous Rubbish -- Relics -- Heirlooms -- Props -- Treasure -- Conclusion
The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II. During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and altogether unparalleled feat of ...