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A reappraisal of the reign of Philip III of Spain (1598-1621), and the king's favourite, first published in 2000.
Early modern Spain's insistent rhetorics of nation and kingship, of a monolithic body of shared values and beliefs, especially in respect of racial and gender stereotypes, and of a centralized and ostensibly absolutist legislative apparatus did not map unproblematically onto the complex topography of everyday life. This volume explores the extent to which these rhetorics and the ideology they helped to construct or underpin reflected or failed to reflect the realities of social, economic, and cultural life. It sets against their typically exorbitant claims the lived, messy, and sometimes contradictory experience of Spaniards across a broad social spectrum, both at the centre and at the margi...
The setting of this volume is the Iberian Peninsula during the Middle Ages, where Christianity and Islam co-existed side by side as the official religions of Muslim al-Andalus on the one hand, and the Christian kingdoms in the north of the peninsula on the other. Its purpose is to examine the meaning of the word 'Mozarab' and the history and nature of the people called by that name; it represents a synthesis of the author's many years of research and publication in this field. Richard Hitchcock first sets out to explain what being a non-Muslim meant in al-Andalus, both in the higher echelons of society and at a humbler level. The terms used by Arab chroniclers, when examined carefully, suggest a lesser preoccupation with purely religious values than hitherto appreciated. Mozarabism in León and Toledo, two notably distinct phenomena, are then considered at length, and there are two chapters exploring the issues that arose, firstly when Mozarabs were relocated in twelfth-century Aragón, and secondly, in sixteenth-century Toledo, when they were striving to retain their identity.
How did the early-modern Christian West conceive of the spaces and times of the afterlife? The answer to this question is not obvious for a period that saw profound changes in theology, when the telescope revealed the heavens to be as changeable and imperfect as the earth, and when archaeological and geological investigations made the earth and what lies beneath it another privileged site for the acquisition of new knowledge. With its focus on the eschatological imagination at a time of transformation in cosmology, this volume opens up new ways of studying early-modern religious ideas, representations, and practices. The individual chapters explore a wealth of – at times little-known – visual and textual sources. Together they highlight how closely concepts and imaginaries of the hereafter were intertwined with the realities of the here and now. Contributors: Matteo Al Kalak, Monica Azzolini, Wietse de Boer, Christine Göttler, Luke Holloway, Martha McGill, Walter S. Melion, Mia M. Mochizuki, Laurent Paya, Raphaèle Preisinger, Aviva Rothman, Minou Schraven, Anna-Claire Stinebring, Jane Tylus, and Antoinina Bevan Zlatar.
Exploring reason of state in a global monarchy, this book bridges the gap between theory and practice in political thought.
Volume 59 Humanistica Lovaniensia: Journal of Neo-Latin Studies, published annually, is the leading journal in the field of Renaissance and modern Latin. As well as presenting articles on Neo-Latin topics, the journal is a major source for critical editions of Neo-Latin texts with translations and commentaries. Its systematic bibliography of Neo-latin studies (Instrumentum bibliographicum Neolatinum), accompanied by critical notes, is the standard annual bibliography of publications in the field. The journal is fully indexed (names, mss., Neo-Latin neologisms).
Arts of Perception offers a new account of a key period in Spanish history and culture and a fundamental reassessment of its major writers and intellectuals, including Gracián, Quevedo, Calderón, Saavedra Fajardo, López de Vega, and Sor Juana. Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various ‘arts of perception’ - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such ‘arts of perceptionâ...
This collection of essays contains an impressive body of the author's work on the history of Spain in the seventeenth century, which has focused particularly on the issues of high politics, international strategy and military infrastructure. The essays consistently illustrate R.A. Stradling's revisionist emphasis on aspects of the Spanish monarchy's 'survival', as opposed to orthodox treatments fixated upon 'decline'. The major questions about Spain in the period are all addressed: the quality of leadership, in particular that of Olivares and his master, Philip IV; the effect of war and the strains imposed by the demands of military provision; and the perception and reality of the 'decline'.Stimulating and immediate in style, the great majority of the essays are the result of sustained research work in the archives of Spain and other western European countries, as well as concentrated consideration of the broader contexts. They are all concerned to highlight interpretation and relevance in a way that enlivens the specific issues under review.
This two-part book on collections of paintings in Madrid is part of the series Documents for the History of Collecting, Spanish Inventories 1, which presents volumes of art historical information based on archival records. One hundred forty inventories of noble and middle-class collections of art in Madrid are accompanied by two essays describing the taste and cultural atmosphere of Madrid in the seventeenth and eighteenth centuries.