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Perth in the 1950s. After being caught wearing his mother's yellow dress, young Victor had to hide any tendency towards gender inappropriate behaviour. But his interest in dancing and theatre (and mooning over Rudolph Nureyev on the telly) were bound to make the facade collapse at some point. Emerging sexuality and the sense of not being 'at home' in his body, let alone the world, ran alongside a search for meaning that brought him eventually to a spiritual awakening under the young guru Maharaji...Part family tragedy, part existential comedy, The Boy in the Yellow Dress is a warts-and-all account of exile and the subsequent journey homewards that is less about finding a respectable place in the world than an intimate connection with the ultimate source of being. If ever a memoir captured the Zeitgeist, it's this one... Wise, funny, surprising at every turn... More than a portrait of growing up gay, it chronicles the wild search for meaning of an entire generation.Amanda Lohrey (2012 Patrick White Award Winner)
Annotation. A poignant history of the women and succeeding generations who established the Lort Smith Animal Hospital. Felicity Jack writes of the achievements and generosity of the many people who have contributed so much to make the hospital a success.
"The conference explores past and future approaches to managing and designing for growth, development and decline. This goes beyond debates over density, frontier development and renewal. It includes new fields of historical, policy and social research which inform discussion of heritage, growth, environmental, economic and other issues of urban life and urban form."--Page iii
Women are rarely if ever mentioned in commentaries upon Australian Christianity and spirituality. Only exceptional women are recognized as authorities on religious matters. Why is this so? Does it matter? Don't people from the same religious tradition share similar experiences of the divine, regardless of their gender? Rewriting God asks whether women have been writing about the divine and whether their insights are different from those contained in malestream accounts of Australian Christianity and spirituality. An analysis of the writings of popular theologians and religious commentators over the last twenty years suggests that the most popular form of spirituality among Australian theolog...
Mug Shots is the autobiography of prize-winning novelist and playwright Barry Oakley, now eighty, from his Catholic childhood and education in Melbourne.
An international anthology by feminists working in the field of electronic publishing, electronic activism, electronic data delivery, multimedia production, virtual reality creation, developing programs or products electronically, as well as those developing critiques of electronic culture. This collection explores what the possibilities are for feminists and for feminism. It also grapples with the pitfalls of the medium. The book, however, does not assume that the technology in itself is negative, but rather how it is used is open to critique. This leaves open the possibility of feminists having an impact on the way the technologies develop. The book includes connecting HTML with poetry, developing resources for Women's Studies and libraries, on-line, CD-ROM and VRML developments. The book has markets across trade and educational sectors and could be used at secondary and tertiary levels.
This new volume in UQP's History of the Book in Australia series explores Australian book production and consumption from 1946 to the present day. In the immediate postwar era, most books were imported into a colonial market dominated by British publishers. Paper Empires traces this fascinating and volatile half-century, using wide-ranging resea...
John Romeril has been one of the most prolific contributors to Australian theatre in the last twenty years. But since until recently few of his plays have been published, he has had inadequate recognition. As a founding member of the APG he was 'in at the start' of the revival of the so-called New Wave in Australian drama in the sixties. Romeril continues to be a leading influence in contemporary theatre. His work ranges from the well-known The Floating World (1974) to such recent successes as the community based play The Kelly Dance (1984), the mainstream drama Lost Weekend (1989) and the political play Black Cargo (1991). John Romeril is truly the great survivor of modern Australian theatre.
A collection of stories from Australian women who grew up Catholic in Australia in the 1940's, 50's and 60's. Veronica Brady - Pauline Toner - Therese Radic - Amanda Lohrey - Australian Catholics.