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Louis Owens (1948–2002) achieved worldwide recognition with his humorous and fearless novels that explored themes close to Owens’s own upbringing as a mixed-blood Choctaw, Cherokee, and Irish-American. His critical works were equally substantive. Readers of his criticism find his work challenging, and casual readers find his fiction highly enjoyable—a remarkable combination that speaks well of Owens’s intellectual and creative abilities. In a new collection of essays, Louis Owens: Literary Reflections on His Life and Work, editor Jacquelyn Kilpatrick and eleven other contributors examine Owens’s fiction and nonfiction from widely varying viewpoints to address issues such as identity, place, literary theory, trickster motifs, and the environment. This text aids the reader in understanding the theories Owens articulated and how he followed those theories in his own writing. Also included is the last interview Owens gave, appearing in print for the first time, which provides insights into this complex man’s personal life.
Louis Owens: Writing Land and Legacy explores the wide-ranging oeuvre of this seminal author, examining Owens’s work and his importance in literature and Native studies. Of Choctaw, Cherokee, and Irish American descent, Owens’s work includes mysteries, novels, literary scholarship, and autobiographical essays. Louis Owens offers a critical introduction and thirteen essays arranged into three sections: “Owens and the World,” “Owens and California,” and “The Novels.” The essays present an excellent assessment of Owens’s literary legacy, noting his contributions to American literature, ethnic literature, and Native American literature and highlighting his contributions to a variety of theories and genres. The collection concludes with a coda of personal poetic reflections on Owens by Diane Glancy and Kimberly Blaeser. Libraries, students, scholars, and the general public interested in Native American literature and the landscape of contemporary US literature will welcome this reflective volume that analyzes a vast range of Louis Owens’s imaginative fictions, personal accounts, and critical work.
In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and...
In this innovative collection, Louis Owens blends autobiography, short fiction, and literary criticism to reflect on his experiences as a mixedblood Indian in America. In sophisticated prose, Owens reveals the many timbres of his voice--humor, humility,love, joy, struggle, confusion, and clarity. We join him in the fields, farms, and ranches of California. We follow his search for a lost brother and contemplate along with him old family photographs from Indian Territory and early Oklahoma. In a final section, Owens reflects on the work and theories of other writers, including Gayatri Chakravorty Spivak, Gerald Vizenor, Michael Dorris, and Louise Erdrich. Volume 40 in the American Indian Literature and Critical Studies Series
Who am I? What am I? Where do I belong? These “grave concerns” take a lifetime for most people to answer. They become even trickier for American Indians, who all too often face literal and figurative burial by those in power. Such concerns permeate the works of Louis Owens, a mixedblood writer of Choctaw-Cherokee-Irish descent. In this first book-length examination of Owens’s writings, Chris LaLonde focuses on five critically acclaimed novels: The Sharpest Sight, Bone Game, Wolfsong, Nightland, and Dark River. According to LaLonde, Owens works his stories like a trickster, turning ideas back against themselves and playing with contradictory possibilities. The conflicting Native and Western perspectives of time, history, humor, and authority dramatize hoe such classes can threaten to undermine any sense of home and identity for Indians. In the process, Owens underscores the sham of the ethnic identities foisted upon American Indians-the Noble Savage, the Silent Indian, the Vanishing Native, and the Indian as Tragic Victim.
In 1936 athlete Jesse Owens won four gold medals at the Berlin Olympics and, two years later, boxer Joe Louis won a crushing victory to become heavyweight champion of the world. Despite their fame and success, both men would find themselves barred from certain hotels and would have to eat outside restaurants because of the colour of their skin. However. by their example, they gave hope to millions of black people around the world as they became the first black superstars. In Donald McRae's William Hill prize-winning dual biography, he compiles a brilliant portrait of the two men, who became close friends despite their very different career paths: within days of Olympic glory, Owens was banned from competing again, and was forced to spend his days racing against horses to earn a living before becoming a spokesman for the sporting ideal. Meanwhile Louis won and lost a fortune, eventually battling with drug addiction and mental illness. His vivid account of their lives away from the public eye, and the era in which they lived, is compelling and tragic.
In the Cascade Range of northwest Washington, Tom Joseph, a young Indian who had gone south to attend college, returns for his uncle's funeral and finds himself caught up in the old man’s fight to save the wilderness from destruction. In his first novel, Louis Owens exposes the raw edge of the current American land-rights controversy and poses questions about authenticity and the common bonds that American Indians, of very different or mixed backgrounds, are in the process of discovering today.
Presents an encyclopedia of American Indian literature in an alphabetical format listing authors and their works.
Cole McCurtain, a professor of Indian Studies at Santa Cruz, investigates a series of murders with a connection to ecological diasaster