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Read Martha A. Sandweiss's posts on the Penguin Blog The secret double life of the man who mapped the American West, and the woman he loved Clarence King was a late nineteenth-century celebrity, a brilliant scientist and explorer once described by Secretary of State John Hay as "the best and brightest of his generation." But King hid a secret from his Gilded Age cohorts and prominent family in Newport: for thirteen years he lived a double life-the first as the prominent white geologist and writer Clarence King, and a second as the black Pullman porter and steelworker named James Todd. The fair, blue-eyed son of a wealthy China trader passed across the color line, revealing his secret to his black common-law wife, Ada Copeland, only on his deathbed. In Passing Strange, noted historian Martha A. Sandweiss tells the dramatic, distinctively American tale of a family built along the fault lines of celebrity, class, and race- a story that spans the long century from Civil War to civil rights.
The provocative true account of the hanging of four black people by a white lynch mob in 1912--written by the great-granddaughter of the sheriff charged with protecting them.
But for a few twists of fate, Atlanta could have grown to be the recording center that Nashville is today. Pickin' on Peachtree traces Atlanta's emergence in the 1920s as a major force in country recording and radio broadcasting and its forty years as a hub of country music. From the Old Time Fiddlers' Conventions and barn dances through the rise of station WSB and other key radio outlets, Wayne W. Daniel thoroughly documents the consolidation of country music as big business in Atlanta. He also profiles a vast array of performers, radio personalities, and recording moguls who transformed the Peachtree city into the nerve center of early country music.
Samuel Maddox came to Maryland in 1665 and settled in St. Mary's County. He was married to Ann Notley, daughter of Walter Notley ca. 1669. He later died in 1684.
Calhouns as found in various records from Scotland, Ireland, Kentucky, Maryland, Massachusetts, North Carolina, South Carolina, Pennsylvania, Virginia, Connecticut, Georgia, New York, New Hampshire, Rhode Island and Vermont.
The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from th...
By the eve of the 20th century, Middle Georgia was a rural region transitioning from the aftermath of the Reconstruction Era into the modern age. This collection of new essays describes the lives of the common people of the day. A grisly mass murder underscored issues of race, class and poverty. African Americans struggled for self-betterment against the rise of Jim Crow. Women striving to overcome gender barriers found a hero in a pioneering female pilot. The government worked to protect communities from the influenza pandemic of 1918. Fighting boll weevils and declining cotton prices, farmers diversified crops and developed a national pimento pepper industry.
On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.
Columbus, Georgia, began as a rough frontier trading town in 1828. As its focus on the sale and shipment of cotton evolved into cotton manufacturing, massive textile mills grew up along the riverbank. Today the mills are closing, but Columbus, undergoing an economic and cultural renaissance, keeps one eye on its colorful past. As the city's oldest graveyard, Linwood Cemetery bears witness to the city's rich history. Graced by over 100 monuments signed by their 19th-century carvers, Linwood is more than a cemetery: it is a virtual outdoor museum. Historic Linwood Cemetery transforms the old gravestones into flesh-and-blood stories of the people who once walked the streets of Columbus. In these pages readers will meet a broad spectrum of former residents now resting in the hallowed soil of Linwood-stone carvers, founding fathers and mothers, military heroes, steamboat designers, past managers of the city wharf, builders of the town's first roads and railroads, and the town's best ice cream maker.