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For over twenty years, Ziauddin Yousafsai has been fighting for equality - first for Malala, his daughter - and then for all girls throughout the world living in patriarchal societies. Taught as a young boy in Pakistan to believe that he was inherently better than his sisters, Ziauddin rebelled against inequality at a young age. And when he had a daughter himself he vowed that Malala would have an education, something usually only given to boys, and he founded a school that Malala could attend. Then in 2012, Malala was shot for standing up to the Taliban by continuing to go to her father's school, and Ziauddin almost lost the very person for whom his fight for equality began."LetHer Fly"is Z...
Granddaughter of Sir John William Dawson of McGill (Montreal) collects the letters of her parents, showing love, family and travel in early 20th-century Canada.
The late-twentieth century has witnessed a particular prominence assigned to the discourses of “difference” and “Otherness”. An examination of this “othering” discourse as related to Travellers, Gypsies and Showpeople ennumerates the projective function of the “Othering” process, a form of rejection and marginalisation that is the institutionalization of ideas which are seldom challenged. The history of Traveller and Gypsy “Othering” in Europe points to the constant re-articulation of reductionist stereotypes as applied to a wide range of nomadic peoples and the creation of a mythic Traveller/Gypsy prototype that is based on a series of endlessly repeated generalizations ...
The Central Intelligence Agency (CIA) is one of the most fascinating yet least understood intelligence gathering organizations in the world
Cover title: List of mothers and widows of American soldiers, sailors and marines entitled to make a pilgrimage to the war cemetaries in Europe.
Step by step, journalist Brennan walks readers through 13 notorious cases, drawing details from the confidential files of Alaska police detectives who investigate murder, mayhem, crimes of passion and greed, and an amazing amount of criminal stupidity.
This book engages with critical issues which create a proper understanding of how identities and belonging are imagined and constructed in postcolonial India. The contributors have examined various texts and movies to discuss the implicit communal nature of postcolonial India. The book attempts to discuss the different ways in which India is badly plagued by communal politics and terrorism, and to offer a cogent alternative for creating a strong solidarity among different communities in India.
From the trials of families experiencing divorce, as in Anne Fine’s Madame Doubtfire, to the childcare problems highlighted in Jacqueline Wilson’s Tracy Beaker, it might seem that the traditional family and the ideals that accompany it have long vanished. However, in The Family in English Children’s Literature, Ann Alston argues that this is far from the case. She suggests that despite the tales of family woe portrayed in children’s literature, the desire for the happy, contented nuclear family remains inherent within the ideological subtexts of children’s literature. Using 1818 as a starting point, Alston investigates families in children’s literature at their most intimate, focusing on how they share their spaces, their ideals of home, and even on what they eat for dinner. What emerges from Alston’s study are not so much the contrasts that exist between periods, but rather the startling similarities of the ideology of family intrinsic to children’s literature. The Family in English Children’s Literature sheds light on who maintains control, who behaves, and how significant children’s literature is in shaping our ideas about what makes a family "good."
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As mass media burgeoned in the years between the first and second world wars, so did another phenomenon—celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers—Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield—who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill in...