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Beyond the New on the Agency of Things
Design theorist Louise Schouwenberg examines the meaning and agency of things as mediators between people and world, both within everyday life and the museum context.Moreover, she questions the market's obsession with novelty in design, and searches for answers how to distinguish novelty for the sake of novelty from true cultural innovation in design, of which a museum archive testifies.The themes, examples and images are chosen in close consultation with designer Hella Jongerius.Graphic design by Irma Boom.Published on the occasion of the exhibition, Die Neue Sammlung/Beyond The New at The Design Museum, Pinakothek der Moderne, Munich (10 November 2017 - 16 September 2018).
Hella Jongerius: Misfit
Insight into one of the most important designers working today.
Reproducing Scholten & Baijings
A beautiful insight into the creative processes of one of the most exciting European design duos to have emerged in the last ten years. Reproducing Scholten & Baijings explores this dynamic design duo’s relationships with manufacturers such as Herman Miller, Maharam and Mini. Covering all aspects of their practice from textiles to ceramics, this new monograph is illustrated with photographs, models and sketches pulled directly from the firm’s archives. A complete list of their projects produced to date makes this an incomparable resource for professionals and enthusiasts alike.
The Auto-Ethnographic Turn in Design
The Auto-Ethnographic Turn in Design' is emerging from a growing recognition of design?s capacity to make sense of one?s world while at the same time to express and convey this personal insight or knowledge through rich, layered, and ultimately meaningful processes or objects. Auto-ethnographic design seeks to come to terms with one?s context and self?as well as the materiality that mediates these two. In doing so, it offers a vision of design that is free of commercial commissions, assumed users? needs, or well-intentioned do-goodism, and reveals a sincerity and genuine commitment in the process of design that is too often missing.00The book is divided between ?Ideas and Dialogues? (reflections and conversations between critics, theorists, educators, and practitioners), which ground conceptions of auto-ethnography and the ?self? and explore how experiences can be relevant and meaningful starting points for design and visual art; and ?Projects and Practices,? which embody auto-ethnographic qualities?whereby design objects and practices are embedded with personal sentiments, experiences, desires, fears, and more.
Material Utopias
In the slipstream of conceptual art, the intimate interweaving of meaning and materi- alization in art and design came to be discredited in the second half of the twentieth century. The masters program titled Material Utopias at the Sandberg Institute, Amsterdam, recently put an end to this formula by abolishing the unproductive hierarchy separating concept from making, and content from process. In Material Utopia, various authors reflect on the history of dematerialization and deskilling, the manifold meanings of materials in art and design, and the challenges for education when the innovative power of the artistic process is celebrated. The book includes texts by Max Bruinsma, Amanda du Preez, Domeniek Ruyters, Louise Schouwenberg, Aaron Schuster, and Tamar Shafrir. Book no. 3 is part of a new and on-going series from the Sandberg Institute, Amsterdam.
I Swear I Use No Art at All
This book displays and dissects the career and design motives of graphic designer Joost Grootens. In a systematic fashion it charts the first 100 books designed by Grootens over the past ten years. In the first chapter, '10 years', Grootens uses timelines, lists and graphs to map the course of his career as a designer, the people he worked with and the places where the work took place. In '100 books', the designer dissects his book designs. He details the grids, formats, paper stocks, colours and typefaces, and charts the books' structures and compositions. '18,788 pages' shows at actual size a selection of spreads from books designed by Grootens, including the internationally acclaimed atlases. In the text 'I swear I use no art at all' Joost Grootens gives a personal account of making books and the ideas behind his designs.
House of Concepts
Dutch design is held in high esteem around the world. Its favourable international reputation is based on the work of many designers including Jurgen Bey, Hella Jongerius and Maarten Baas, who all have one thing in common: Design Academy Eindhoven. Design Academy Eindhoven is the Netherlands' leading institution for developing design talent and it has produced a veritable who's who of the country's creative scene. The final projects of its graduates often attract international attention; their annual presentation has become a must-see for innovative companies, brands and designers from around the world. House of Concepts presents the legendary school that was founded as the Academy for Indus...
Eat Love
Eating concepts by Marije Vogelzang: her interest is in the verb "to eat." Not only does she think deeply about what is on the plate, but also about everything that surrounds the act of eating, exploring the intimacy of design that actually goes inside your body and following the journey of food from seed all the way to poop.
Pretty Dutch
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Tangible Traces
Edited by Linda Vlassenrood.
