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The Biopolitics of Beauty
The eugenesis of beauty -- Plastic governmentality -- The circulation of beauty -- Hope, affect, mobility -- The raciology of beauty -- Cosmetic citizens
Fictions of Justice
This book explores how notions of justice are negotiated through everyday micropractices and grassroots contestations of those practices.
Return from the World
"In Return from the World, anthropologist Gregory Duff Morton traces the migrations of landless Brazilian peasants who choose to leave cities and the opportunities they offer to return to their home villages. Exploring this phenomenon in cities such as Belo Horizonte and the surrounding villages of Rio Branco and Maracujá, Morton seeks to understand what it means to deliberately turn one's back on the promise of economic growth. Leaving cities and giving up their positions in factories, construction sites, and as domestic workers, rural migrants travel hundreds of miles back to villages without running water or dependable power. There, they often take up farming, engaging in subsistence agriculture or laboring as hired hands in nearby plantations. Bringing their stories vividly to life, Morton dives into the dreams and disputes at play in finding freedom in the shared rejection of accumulation"--
The Politics of Survival
Winner, 2024 Anna Julia Cooper Outstanding Publication Award, Association for the Study of Black Women in Politics Poor Black women who benefit from social welfare are marginalized in a number of ways by interlocking systemic racism, sexism, and classism. The media renders them invisible or casts them as racialized and undeserving “welfare queens” who exploit social safety nets. Even when Black women voters are celebrated, the voices of the poorest too often go unheard. How do Afro-descendant women in former slave-holding societies survive amid multifaceted oppression? Gladys L. Mitchell-Walthour offers a comparative analysis of how Black women social welfare beneficiaries in Brazil and ...
Art and the Global Economy
Introduction : measuring the economy of the arts -- Museums in flux -- The exhibitionary complex -- Art and the global marketplace -- Conclusion : non-profits and artist collectives as market alternatives
Embodied Avatars
"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillian contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."--Back cover.
Dub
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned...
The Ends of Paradise
The future of Honduras begins and ends on the white sand beaches of Tela Bay on the country's northeastern coast where Garifuna, a Black Indigenous people, have resided for over two hundred years. In The Ends of Paradise, Christopher A. Loperena examines the Garifuna struggle for life and collective autonomy, and demonstrates how this struggle challenges concerted efforts by the state and multilateral institutions, such as the World Bank, to render both their lands and their culture into fungible tourism products. Using a combination of participant observation, courtroom ethnography, and archival research, Loperena reveals how purportedly inclusive tourism projects form part of a larger neol...
Direct Action
A radical anthropologist studies the global justice movement.
Mirrors of Whiteness
In Mirrors of Whiteness, Mauro P. Porto examines the conservative revolt of Brazil’s white middle class, which culminated with the 2018 election of far-right candidate Jair Bolsonaro. He identifies the rise of a significant status panic among middle-class publics following the relative economic and social ascension of mostly Black and brown low-income laborers. The book highlights the role of the media in disseminating “mirrors of whiteness,” or spheres of representation that allow white Brazilians to legitimate their power while softening or hiding the inequalities and injustices that such power generates. A detailed analysis of representations of domestic workers in the telenovela Cheias de Charme and of news coverage of affirmative action by the magazine Veja demonstrates that they adopted whiteness as an ideological perspective, disseminating resentment among their audiences and fomenting the conservative revolt that took place in Brazil between 2013 and 2018.
