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From the Land of Diamonds to the Isle of Spice' is a first book by Sigismond Tucker in which he tells a compelling story about his family connections between Sierra Leone and the Congo. Through his personal friendships whilst growing up in Freetown, he introduces the reader to various significant political events in the history of his country, its customs and traditions, drawing attention to falling standards over the years.
An engaging and challenging introduction to Jean Genet, this concise biography of the French writer and his work cuts directly to the intersection of thought and life that was essential to Genet's creativity. Arguing that Genet's life was an extraordinary spectacle in which the themes of his most revolutionary works were played out, Stephen Barber gives both the work and its singular inspiration in Genet's life their full due. Abandoned, arrested, and repeatedly incarcerated, Genet, who died in 1986, led a life that could best be described as a tour of the underworld of the twentieth century. Similarly, Genet's work is recognized by its nearly obsessive and often savage treatment of certain ...
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"Contains complete documentation of the making of Un Chant d'Amour, including an illustrated shot-by-shot description, thematic analysis, and exibition history"--Back cover.
"Jean Genet, the poet-thief and one of the 20th century's most enduring gay icons was born in Paris in 1910. An illegitimate child accused of stealing from his foster parents Genet at the age of 10 was sent to a reform school and spent most of his youth in the all-male communal life of harshly disciplinarian reformatories, including Mettray. In the 1930s, he was variously a deserter, a vagrant who begged his way across Europe, a prostitute, a thief and one of the dispossessed. Learning that imagination was a tool the authorities couldn't suppress, he emerged in 1942 from a series of prison stays with the first of his extraordinarily subversive novels, Our Lady of the Flowers. Taken up by Coc...
"To the barricades!" The cry conjures images of angry citizens, turmoil in the streets, and skirmishes fought behind hastily improvised cover. This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of revolution. Exploring the most compelling moments of its history, Traugott finds that the barricade is more than a physical structure; it is part of a continuous insurrectionary lineage that features spontaneous collaboration even as it relies on recurrent patterns of self-conscious collective action. A case study in how techniques of protest originate and evolve, The Insurgent Barricade tells how the French perfected a repertoire of revolution over three centuries, and how students, exiles, and itinerant workers helped it spread across Europe.
"In this book, Gene A. Plunka argues that the most important single element that solidifies all of Genet's work is the concept of metamorphosis. Genet's plays and prose demonstrate the transition from game playing to the establishment of one's identity through a state of risk taking that develops from solitude. However, risk taking per se is not as important as the rite of passage. Anthropologist Victor Turner's work in ethnography is used as a focal point for the examination of rites of passage in Genet's dramas." "Rejecting society, Genet has allied himself with peripheral groups, marginal men, and outcasts--scapegoats who lack power in society. Much of their effort is spent in revolt or d...