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"Daniel Clément examines the "Bungling Host" tale known in a multitude of indigenous cultures in North America and beyond. In this groundbreaking work he reveals fuller meaning to these stories than previously recognized and underscores the limits of structuralism in understanding them"--
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A slow change in outlook dominates the book, as attitudes shift from viewing the desert as a place of sanctity, then a land to be despised or exploited, and back to an appreciation of it as a special place, an arena of highly complex natural communities, and a wild refuge for the human body and soul.
For some time the assumption has been widely held that for a majority of the world's languages, one can identify a “basic” order of subject and object relative to the verb, and that when combined with other facts of the language, the “basic” order constitutes a useful way of typologizing languages. New debate has arisen over varying definitions of “basic”, with investigators encountering languages where branding a particular order of grammatical relations as basic yielded no particular insightfulness. This work asserts that explanatory factors behind word order variation go beyond the syntactic and are to be found in studies of how the mind grammaticizes forms, processes information, and speech act theory considerations of speakers' attempts to get their hearers to build one, rather than another, mental representation of incoming information. Thus three domains must be distinguished in understanding order variation: syntactic, cognitive and pragmatic. The works in this volume explore various aspects of this assertion.
A self-taught artist in several mediums who became known for stippling, Leonard Chana captured the essence of the Tohono O’odham people. He incorporated subtle details of O’odham life into his art, and his images evoke the smells, sounds, textures, and tastes of the Sonoran desert—all the while depicting the values of his people. He began his career by creating cards and soon was lending his art to posters and logos for many community-based Native organizations. Winning recognition from these groups, his work was soon actively sought by them. Chana’s work also appears on the covers and as interior art in a number of books on southwestern and American Indian topics. The Sweet Smell of...
Knowledge held about animals by Pima-speaking Native Americans of Arizona and northwest Mexico is intimately entwined with their way of lifeÑa way that is fading from memory as beavers and wolves vanish also from the Southwest. Ethnobiologist Amadeo Rea has conducted extensive fieldwork among the Northern Pimans and here shares what these people know about mammals and how mammals affect their lives. Rea describes the relationship of the River Pima, Tohono O'odham (Papago), Pima Bajo, and Mountain Pima to the furred creatures of their environment: how they are named and classified, hunted, prepared for consumption, and incorporated into myth. He also identifies associations between mammals a...
This monograph marks the first presentation of a detailed Classic period ceramic chronology for central and southern Veracruz, the first detailed study of a Gulf Coast pottery production locale, and the first sourcing-distribution study of a Gulf Coast pottery complex.
ArizonaÕs San Pedro Valley is a natural corridor through which generations of native peoples have traveled for more than 12,000 years, and today many tribes consider it to be part of their ancestral homeland. This book explores the multiple cultural meanings, historical interpretations, and cosmological values of this extraordinary region by combining archaeological and historical sources with the ethnographic perspectives of four contemporary tribes: Tohono OÕodham, Hopi, Zuni, and San Carlos Apache. Previous research in the San Pedro Valley has focused on scientific archaeology and documentary history, with a conspicuous absence of indigenous voices, yet Native Americans maintain oral tr...
A critical examination of the complex legacies of early Californian anthropology and linguistics for twenty-first-century communities. In January 2021, at a time when many institutions were reevaluating fraught histories, the University of California removed anthropologist and linguist Alfred Kroeber’s name from a building on its Berkeley campus. Critics accused Kroeber of racist and dehumanizing practices that harmed Indigenous people; university leaders repudiated his values. In The Unnaming of Kroeber Hall, Andrew Garrett examines Kroeber’s work in the early twentieth century and his legacy today, asking how a vigorous opponent of racism and advocate for Indigenous rights in his own e...