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Lucius Burckhardt Writings. Rethinking Man-made Environments
Design for a democratic society was a matter of urgency in bombed-out postwar Europe. Swiss sociologist, journalist, professor and founding father of strollology Lucius Burckhardt (1925-2003) pioneered the interdisciplinary analysis of man-made environments, and thereby highlighted both the visible and invisible aspects of our cities and social relations. Acutely aware of how our interventions and decisions shape the world, and how the changing world in turn, shapes us, his life-long focus was not only the prerequisites of architecture, urban planning and design but also their long-term impact. Teaching and practice still owe much to his work. Thus, the first selection of Lucius Burckhardt's texts to appear in English, introduces his groundbreaking theory of environmental design, in retrospective tribute to a prescient thinker.
Design Is Invisible
Mit Design is Invisible verwies Lucius Burckhardt als einer der ersten auf die Integrierbarkeit unsichtbarer Wirkkräfte: Sie bestimmen den Gebrauch der Gegenstände und sollten Bestandteil der Gestaltung sein. Was nützt etwa die schönste Straßenbahn, wenn sie in der Nacht nicht fährt? Burckhardt erweitert kurzerhand den Designbegriff, in diesem Fall um den Fahrplan, der ebenfalls optimiert werden kann. Wie aktuell die zwischen 1965 und 1999 entstandenen Texte sind, kann man an der derzeitigen Architekturdebatte sehen. Probleme durch soziale Abgrenzung, ausgedünnte Regionen sowie Migrationsbewegungen können nur interdisziplinär gelöst werden. Die erstmals in englischer Sprache vorliegenden Texte öffnen dem internationalen Diskurs endlich den Zugang zu zentralen Quellentexten.
The Minimal Intervention
The mind's eye as a design principle Lucius Burckhardt (1925-2003) outlined his theory of the "smallest possible intervention" back in the early 1980s. The idea of minimal intervention runs through his entire oeuvre, from his critique of urbanism to the science of walking. The "smallest possible intervention" denotes a planning theory that assumes two "views" within landscape design: that which is actually visible and that in our mind's eye. The theory of the minimal intervention means not interfering excessively with the existing landscape, but instead working with the landscape in our minds to develop an aesthetic understanding of the environment. In this book, available for the first time in English, the Swiss sociologist applies this formula to many areas of design. Intellectual distillation of Lucius Burckhardt's theories available for the first time in English Exploration of the relationships between planning and building Rationalization and needs
Why is Landscape Beautiful?
Lucius Burckhardt (1925-2003) taught architectural theory at Kassel University and, in the 1980s, coined the term "Promenadology" or the science of Strollology and developed this into a complex and far-sighted planning and design discipline. Given that "the landscape" as an idea only exists in our heads, Burckhardt's writings (and drawings) are not so much concerned with beautiful vistas, but focus instead on the multi-faceted interaction a simple walk-taker has with his environment. To those who observe the environment with their eyes wide open, interesting questions will arise again and again; for example, why "city" and "country" can no longer be separated so easily in the face of progressive urbanization. Or why we consider a viaduct to be beautiful, but a nuclear power station an intrusion. And also, why gardens are works of art and should therefore be appraised as such. This book contains 28 texts by the design and planning critic, for the first time in English, with the focus on landscapes, gardens as an art form and the science of strollology.
Theory in Landscape Architecture
Basic theoretical texts for landscape architects.
The Werkbund
None
Resisting Postmodern Architecture
Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots...
Design Discourse
The editor has gathered together a body of writing in the emerging field of design studies. The contributors argue in different ways for a rethinking of design in the light of its cultural significance and its powerful position in today's society. The collection begins with a discussion of the various expressions of opposition to the modernists' purist approach toward design. Drawing on postmodernist theory and other critical strategies, the writers examine the relations among design, technology, and social organization to show how design has become a complex and multidisciplinary activity. The second section provides examples of new methods of interpreting and analysing design, ranging from rhetoric and semiotics to phenomenology, demonstrating how meaning is created visually. A final section related to design history shifts its emphasis to ideological frameworks such as capitalism and patriarchy that establish boundaries for the production and use of design.
Senses and the City
The papers collected in this volume discuss the sensory dimension of cityscapes, with focus on touch and smell. Both have been traditionally considered "lower senses" and thus unworthy of being cultivated - objects of social prohibitions and targets of suppressing strategies in modern architecture and city planning. The book brings together approaches from anthropology, aesthetics, the theory of architecture, art and design research, psychophysiology, ethology, analytic chemistry, etc. (Series: Austria: Forschung und Wissenschaft - Interdisziplinar - Vol. 4)
Relational Theories of Urban Form
This commentated anthology contains essential passages from twelve important architecture and urban design theory texts from the 1960s to the 2010s. With these excerpts, the editors discursively outline the concept of form as a relational field of tension between man and material. The relational element is treated not only as a topos, but above all the interpretational perspective of architectural theory. The texts are arranged under the guiding themes of Type, Process, Place and Things. The texts themselves were written by authors including Aldo Rossi, Oswald Matthias Ungers, Fumihiko Maki, Alison and Peter Smithson, Lucius Burckhardt, Bruno Latour, and Manuel de Sol -Morales. They offer a paradigmatic foundation that encourages further research and the continued view through the "relational lens."
