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100 Great Plays for Women
This important, landmark survey dispels the myth that there aren't any good plays for women.
All Change Please
'Lucy Kerbel's work has become increasingly pivotal in helping the entire industry raise its game... this illuminating book answers the cynic, informs the impartial, converts the supporter into an activist and equips them all; not in a rallying cry of anger-fuelled idealism, but in a calm, pragmatic and clear-eyed way.' Rufus Norris, Director of the National Theatre, from his Foreword Theatre needs to change. Everywhere - in its boardrooms, on its stages, throughout its repertoires - it could be so much more successful at reflecting the gender balance of the world it seeks to represent. This is a book about why change matters, its benefits - artistic, commercial, ethical and social - and how...
Before You Were Born
“Before…You were a song in our hearts, a star in our eyes.” Told from the perspective of new parents welcoming their baby to the world, this touching love letter to young children by Governor General’s Literary Award–nominated author Deborah Kerbel describes with lyrical grace all of the promise held by new life. As the seasons change from fall through winter and into spring, the expectant parents’ anticipation over the baby’s arrival is mirrored in the animals around the family’s seaside home, marrying the natural world to the family’s experience. Suzanne Del Rizzo, author-illustrator of My Beautiful Birds — a New York Times Notable Children’s Books selection and winner of the 2018 SCBWI Crystal Kite Award — adds an intricately tactile element with her lush illustrations rendered in polymer clay and acrylic wash, depicting the animals in scenes at times playful and other times serene.
This Changes Everything
A new play from the initiative Platform, which is aimed at addressing gender imbalance and inequality in theatre.
Di and Viv and Rose
“It connects emotionally with the audience, and is wittily written ... Bullmore makes you like, and believe in, her three characters ... The play also has a careering energy ... impossible not to like.” The Guardian Aged 18, three women join forces. Life is fun. Living is intense. Together they feel unassailable. Di and Viv and Rose charts the steady but sometimes chaotic progression of these three women's lives, from the highs to the lows, the problems that force them apart and their ultimately enduring bonds. A humorous and thoughtful exploration of friendship's impact on life and life's impact on friendship, this bittersweet comedy premiered at the Hampstead Theatre, London, in 2013. This new Modern Classics edition features an introduction by Professor Elizabeth Kuti.
Brutus and Other Heroines
A rich journey of discovery through the greatest roles in Shakespeare, both female and male.
Red
'Maybe she just doesn't wanna be found, maybe that last day she felt freedom was when she ran, and she just didn't stop, maybe that was it.' When her best friend Jay goes missing, Dee withdraws into a twilight world of fragmented memories and conversations, shattered by her grief. Where should she look for Jay? What did she miss? What did Jay say? And what couldn't she say? Somalia Seaton's Red is an unflinching and bold exploration of the internal lives of young women. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books, aimed at addressing gender imbalance in theatre. Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by young actors.
The Light Burns Blue
A new play from the Platform initiative, which comprises big-cast plays with predominantly female casts, written specifically for youth performers.
Contemporary Women Stage Directors
Contemporary Women Stage Directors opens the door into the minds of 27 prolific female theatre directors, allowing you to explore their experience, wisdom and knowledge. Directors give insight into their diverse approaches to the key challenges of directing theatre, including choosing projects, engaging with scripts, conceptualizing visual and acoustic production elements, collaborating with actors and production teams, building their careers, and navigating challenges and opportunities posed by gender, race and ethnicity. The directors featured include Maria Aberg, May Adrales, Sarah Benson, Karin Coonrod, Rachel Chavkin, Lear deBessonet, Nadia Fall, Vicky Featherstone, Polly Findlay, Leah ...
Second Person Narrative
Second Person Narrative is part of Platform, a new initiative from Tonic Theatre in partnership with Nick Hern Books.
