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'Dazzling . . . [An] engrossing study of a vivacious personality slipping away' THE TIMES 'Rich in detail, elusive in meaning, light in touch' MOSCOW TIMES In a small apartment in New York, in the sweltering mid-summer heat, a group of Russian émigrés gather around the sickbed of an artist named Alik. Nina, his wife, is desperate for Alik to be baptised; Irina, his ex-lover, a circus acrobat turned lawyer, quietly pays the bills; elderly Maria dispenses magical herbs; and Maika, Irina's fifteen-year-old daughter, prepares to lose the only man to make her laugh. As the visitors fuss and reminisce over Alik, in a corner of the crowded room the television shows the uprising outside the White House in Moscow and the tanks closing in on the city . . .
“The Big Green Tent, for all its grand ambition, manages an intimacy that can leave a reader reeling . . . a masterpiece.” ―Colin Dwyer, NPR With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable novel tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offer...
'This world in which we have so much difficulty living is filled with misunderstanding at every level.' What can one man do, faced with such a world? Daniel Stein, Interpreter explores the lives of those affected by some of the worst conflicts of the twentieth century, from survivors of the ghetto and escapes of Soviet oppression to those caught up in the violence of the Arab-Israeli conflict. All of them have one thing in common: their lives are touched by Daniel Stein. Stein is a Polish Jew, who miraculously survives the Holocaust by working for the Gestapo as an interpreter. After the war, he converts to Catholicism, becomes a priest, enters the Order of Barefoot Carmelites, and emigrates...
Medea Georgievna Sinoply Mendez is an iconic figure in her Crimean village, the last remaining pure-blooded Greek in a family that has lived on that coast for centuries. Childless Medea is the touchstone of a large family, which gathers each spring and summer at her home. There are her nieces (sexy Nike and shy Masha), her nephew Georgii (who shares Medea’s devotion to the Crimea), and their friends. In this single summer, the languor of love will permeate the Crimean air, hearts will be broken, and old memories will float to consciousness, allowing us to experience not only the shifting currents of erotic attraction and competition, but also the dramatic saga of this family amid the forces of dislocation, war, and upheaval of twentieth-century Russian life.
From a Man Booker International Prize nominee, “a century of tangled Russian family history in [a] lucid saga . . .a challenging yet rewarding epic.” ―Publishers Weekly “Ulitskaya continues the tradition of prerevolutionary Russian literature and demonstrates why she’s one of the most popular novelists in today’s Russia.” –The New York Times. Jumping between the diaries and letters of Jacob Ossetsky in Kiev in the early 1900s and the experiences of his granddaughter Nora in the theatrical world of Moscow in the 1970s and beyond, Jacob’s Ladder guides the reader through some of the most turbulent times in the history of Russia and Ukraine, and draws suggestive parallels betw...
Rudolf Maier, a young microbiologist working on a plague vaccine, is summoned to Moscow to deliver a progress report to his superiors. Inadvertently, he carries the virus with him from the lab. When his illness is discovered, the state machinery turns with terrifying efficiency, rounding up dozens of people. But for many, the distinction between this enforced, life-sparing isolation and the constant churn of political surveillance and arrests is barely detectable, and personal tragedy is not completely averted. Based on real events in the Stalinist Russia of the 1930s, this gripping novel, written in the late 1980s and rediscovered by the author during lockdown - and never before translated into English - surfaces uncomfortable truths about the current Russian regime and the pandemic crisis. Includes a new afterord by the author.
The Los Angeles Times said of Ludmila Ulitskaya’s The Funeral Party, “In America we have friends, family, lovers, and parents–four kinds of love. Could it really be that in Russia they have more? Ludmila Ulitskaya makes it seem so.” In Sonechka: A Novella and Stories, Ulitskaya brings us tales of these other loves in her richly lyrical prose, populated with captivating and unusual characters. In “Queen of Spades,” Anna, a successful ophthalmologic surgeon in her sixties; her daughter, Katya; and Katya’s teenage daughter and young son live in constant terror of Anna’s mother, a domineering, autocratic, aging former beauty queen. In “Angel,” a closeted middle-aged professor...
Contemporary Harmony: Romanticism Through the Twelve-Tone Row is by Ludmila Ulehla. The understanding of the musical techniques of composition cannot be reduced to a handbook of simplified rules. Music is complex and ever changing. It is the purpose of this book to trace the path of musical growth from the late Romantic period to the serial techniques of the contemporary composer. Through the detailed analysis of the musical characteristics that dominate a specific style of writing, a graduated plan is organized and presented here in the form of explanations and exercises. A new analytical method substitutes for the diatonic figured bass and makes exercises and the analysis of non-diatonic literature more manageable. The explanations describing each technique are thorough. They are designed to help the teacher and the student see the many extenuating circumstances that affect a particular analytical decision. More important than a dogmatic decision on a particular key center or a root tone, for example, is the understanding of why such an underdeterminate condition may exist.
Set in Rembrandt's Amsterdam, "An Obscure Man" is the story of Nathanaël—innocent, open to experience—born like Everyman upon the stream of life. In "A Lovely Morning," Nathanaël's young son joins a touring company of Jacobean actors. "Anna, soror . . . ," the final tale, is an account of illicit passion in the baroque world of Naples. "An Obscure Man swarms with life. This intricately researched, imaginative, beautifully written tale of a young man's brief life in the mid-17th century is entirely engrossing."—Leona Weiss, San Francisco Chronicle "In these three stories, [Yourcenar] succeeds in making the essences of these past lives a part of the reader's future through the sheer intensity of their portrayal."—Margaret Ezell, Houston Chronicle
The Los Angeles Times said of Ludmila Ulitskaya’s The Funeral Party, “In America we have friends, family, lovers, and parents–four kinds of love. Could it really be that in Russia they have more? Ludmila Ulitskaya makes it seem so.” In Sonechka: A Novella and Stories, Ulitskaya brings us tales of these other loves in her richly lyrical prose, populated with captivating and unusual characters. In “Queen of Spades,” Anna, a successful ophthalmologic surgeon in her sixties; her daughter, Katya; and Katya’s teenage daughter and young son live in constant terror of Anna’s mother, a domineering, autocratic, aging former beauty queen. In “Angel,” a closeted middle-aged professor...