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Foreword by Glenn D. Lowry. Text by John Elderfield, Luis Perez-Oramas.
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A synthesis of close to a decade of conversations between Chilean conceptual artist Alfredo Jaar and Venezuela curator and poet Luis Pérez-Oramas
An exploration of the innovative, quintessentially Brazilian painter who merged modernism with the brilliant energy and culture of her homeland Tarsila do Amaral (1886-1973) was a central figure at the genesis of modern art in her native Brazil, and her influence reverberates throughout 20th- and 21st-century art. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. This publication establishes her rich background in European modernism, which included associations in Paris with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Tarsila (as she is known affectiona...
Con este conjunto de artículos, el intelectual venezolano Luis Pérez Oramas se suma al acopio literario que el ciclo chavista ha desencadenado: un espejo múltiple sobre Venezuela que ha intentado compensar con reflexión la intensidad del ruido propagandístico y los vacíos de la devastación.
This publication approaches MoMA's incomparable drawings collection from a new direction, presenting works not by date but by specific sequences of forms. It suggests that the meaning of a work of art depends not only on its own internal structures but also on relationships to other works.
This exhibition presents new insights into these artists' visual deconstructions of language and examines the connections and collisions among visual art, the word and the social world.