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Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
A quirky history that offers a new way of understanding the myth of the mummy's curse. Roger Luckhurst provides a startling path through the cultural history of Victorian England and its colonial possessions.
From the Hamlet acted on a galleon off Africa to the countless outdoor productions of A Midsummer Night's Dream that now defy each English summer, Shakespeare and Amateur Performance explores the unsung achievements of those outside the theatrical profession who have been determined to do Shakespeare themselves. Based on extensive research in previously unexplored archives, this generously illustrated and lively work of theatre history enriches our understanding of how and why Shakespeare's plays have mattered to generations of rude mechanicals and aristocratic dilettantes alike: from the days of the Theatres Royal to those of the Little Theatre Movement, from the pioneering Winter's Tale performed in eighteenth-century Salisbury to the Merchant of Venice performed by Allied prisoners for their Nazi captors, and from the how-to book which transforms Mercutio into Yankee Doodle to the Napoleonic counterspy who used Richard III as a tool of surveillance.
Media commentators have noted a rising public tolerance to the use of rude or offensive words in modern English. John Lydon’s obscene outburst on 'I’m a Celebrity...' only provoked a handful of complaints – a muted reaction compared to the furore following his use of the f-word on television twenty-eight years earlier. This timely and authoritative exploration of rudeness in modern English draws together experts from the academic world and the media – journalists, linguists, lexicographers and literary critics – and argues that rudeness is an important cultural phenomenon. Tightly edited with clear accessibly written pieces, the essays look at rudeness in: the media literature football chants street culture seaside postcards. With contributions from media figures including Tom Paulin and leading media-friendly linguists Deborah Cameron and Lynda Mugglestone, Rude Britannia raises concerns about linguistic and social codes, standards of decency, what is considered taboo in the public realm, constructions of bawdy, class, race, power and British identity.
What does it mean to live during wartime away from the battle zone? What is it like for citizens to go about daily routines while their country sends soldiers to kill and be killed across the globe? Timely and thought-provoking, War at a Distance considers how those left on the home front register wars and wartime in their everyday lives, particularly when military conflict remains removed from immediate perception, available only through media forms. Looking back over two centuries, Mary Favret locates the origins of modern wartime in the Napoleonic era and describes how global military operations affected the British populace, as the nation's army and navy waged battles far from home for d...
Terence Cave traces the afterlives of Mignon, an apparently minor character in Goethe's novel Wilhelm Meisters Lehrjahre, through the European cultures of the 19th and 20th centuries. The enigmatic and fascinating Mignon reappears in wide range of different works, mainly narrative fiction but also poetry, song, opera, and film.
Examines Blake's place within a bourgeois culture in the process of redefining the role and meaning of sexuality.
Focuses on Robert Burns's achievements as a poet and his special place in Scottish, English and Irish literary culture since the 18th century. Contributors include leading poet-critics such as award-winning Burns author Robert Crawford & Douglas Dunn,
This book discusses how Romantic-age writers and new cultural institutions transformed ideas of knowledge inherited from the early-modern period.
John Wesley (1703–1791), leader of British Methodism, was one of the most prolific literary figures of the eighteenth century, responsible for creating and disseminating a massive corpus of religious literature and for instigating a sophisticated programme of reading, writing and publishing within his Methodist Societies. John Wesley, Practical Divinity and the Defence of Literature takes the influential genre of practical divinity as a framework for understanding Wesley’s role as an author, editor and critic of popular religious writing. It asks why he advocated the literary arts as a valid aspect of his evangelical theology, and how his Christian poetics impacted upon the religious experience of his followers.