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The so-called “Fátima prayer," O my Jesus, surely ranks among the Church's most popular prayers. In the space of just twenty-nine words, it broaches some of the great themes of Christianity: sin, forgiveness, mercy, heaven, hell. The authors offer here reflections on this prayer, resulting in a work of popular theology and spiritual writing.
Of those raised Catholic, just 13% still attend Mass weekly, and 37% say they have 'no religion'. But is this all the fault of Vatican II, and its runaway reforms? Or are wider social, cultural, and moral forces primarily to blame? In 1962, Pope John XXIII opened the Second Vatican Council with the prophecy that 'a new day is dawning on the Church, bathing her in radiant splendour'. Desiring 'to impart an ever increasing vigour to the Christian life of the faithful', the Council Fathers devoted particular attention to the laity, and set in motion a series of sweeping reforms. The most significant of these centred on refashioning the Church's liturgy—'the source and summit of the Christian ...
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The ongoing debates on the present state and the future of the Roman Catholic worship are not confined to specialists, but are clearly of interest to a wider public, as the responses to the Sacra Liturgia UK conference, held in London in July 2016, have shown. This volume contains the proceedings of the conference and raises the question of how to bring to fruition the insights and instructions of the Second Vatican Council and its key document on the liturgy, Sacrosanctum Concilium, in the life of the Church today. The initial contribution from Robert Cardinal Sarah, Prefect of the Congregation for Divine Worship and the Sacraments, calls for a fuller implementation of Sacrosanctum Concilium. Following on from this other leading figures and liturgical scholars, such as Joris Geldhof, David Fagerberg and Alcuin Reid, examine Catholic worship from a variety of perspectives, including historical, pastoral, social, cultural and artistic themes. Taken together, these chapters present another crucial step along the route of authentic liturgical renewal in the contemporary world.
"The United States is in the midst of a religious revolution. Or, perhaps it is better to say a non-religious revolution. Around a quarter of US adults now say they have no religion. The great majority of these religious "nones" also say that they used to belong to a religion but no longer do. These are the nonverts: think "converts," but from having religion to having none. Even on the most conservative of estimates, there are currently about 59 million of them in the United States. Nonverts explores who they are, and why they joined the rising tide of the ex-religious. It draws on dozens of interviews, original analysis of high-quality survey data, and a wealth of cutting-edge studies, to present an entertaining and insightful exploration of America's ex-religious landscape. While American religion is not going to die out any time soon, ex-Christian America is a growing presence in national life. America's religious revolution is not just a religious revolution : it is catalyzing a profound social, cultural, moral, and political impact"--
The results of a project in the UK that invited Catholics who no longer regularly practice their faith to share their story. Why they left and what could be done to change this are two of the questions explored.
It took nearly two millennia for the enemies of the Catholic Church to realize they could not successfully attack the Church from the outside. Indeed, countless nemeses from Nero to Napoleon succeeded only in creating sympathy and martyrs for our Catholic Faith. That all changed in the mid-19th century, when clandestine societies populated by Modernists and Marxists hatched a plan to subvert the Catholic Church from within. Their goal: to change Her doctrine, Her liturgy, and Her mission. In this captivating and carefully documented book, Dr. Taylor Marshall pulls back the curtain on their nefarious plan, showing how these enemies of Christ strategically infiltrated the seminaries, then the ...
An exploration of how the ancient Maya engaged with their history by using, altering, and burying stone sculptures. For the ancient Maya, monumental stone sculptures were infused with agency. As they were used, reused, altered, and buried, such sculptures retained ceremonial meaning. In Memory in Fragments, Megan E. O'Neil explores how ancient Maya people engaged with history through these sculptures, as well as how they interacted with the stones themselves over the course of the sculptures’ long “lives.” Considering Maya religious practices, historiography, and conceptions of materials and things, O’Neil explores how Maya viewers perceived sculptures that were fragmented, scarred, ...
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This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side. Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day.