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Now more than ever is time to move your body to the 90 ́s because the first book about classic eurodance is here! A genre which blossomed from 1992 to 1996 has finally been presented here in this book, it gives voice to many familiar and unfamiliar faces. More than 60 interviews include e.g. Maxx, La Bouche, CB Milton, Captain Jack, Lori Glori, Sandy Chambers, Robyx, Culture Beat, Maxxima, Magic Affair, E-Rotic and many others. There ́s no limit!!
Includes maps of the U.S. Congressional districts.
Ratatouille meets Broadway in this charming new middle grade novel about a little mouse with big dreams. Lulu is a little girl with a very big dream: she wants to be on Broadway. She wants it more than anything in the world. As it happens, she lives in Broadway's Shubert Theatre; so achieving her dream shouldn't be too tricky, right? Wrong. Because the thing about Lulu? She's a little girl mouse. When a human girl named Jayne joins the cast of the show at the Shubert as an understudy, Lulu becomes Jayne's guide through the world of her theatre and its wonderfully kooky cast and crew. Together, Jayne and Lulu learn that sometimes dreams turn out differently than we imagined; sometimes they come with terms and conditions (aka the company mean girl, Amanda). But sometimes, just when we've given up all hope, bigger and better dreams than we'd ever thought could come true, do.
Hollywood v. Beauty and the Synchronicity of the Six presents the biographies of six movie actresses from the 1920s to the 1970s, with a single actress representing her decade of activity: Louise Brooks 1920s, Jean Harlow 1930s, Hedy Lamarr 1940s, Barbara Payton 1950s, Jean Seberg 1960s, and Sondra Locke 1970s. The synchronicity between the lives of these women is phenomenal, and their stories are as dramatic and exciting as any to come from that town, stretching all the way from complete ruination to thrilling triumph. Along the way, the story of movies in the Golden Age unfolds as six movie actresses try to survive in the most artificial place on Earth. The power elite of Hollywood could transform unknowns into movie stars or erase the famous into oblivion. Since beauty has its own innate power, it is inevitable these two entities would face off.
A clear and accessible introduction to one of the most significant operas of the twentieth century.
So it came to pass that a couple of poets a a congenially munching their bagels in the spacious basement refectory of a bagelry called Finaglea aa Bagel on JFK in Harvard Square, all the while conjecturing upon the potential mental, spiritual and perhaps even physical salubriousness of occasional social interface with other human beings likewise blest or cused to pursue the word, to ply their craft or sullen art, in isolation a a gave birth to the idea of Bagelbards. At any rate, here it is: The First Annual Bagelbards Anthology, in celebration of the first full year of informal weekly Saturday morning gatherings of Bagelbards in the aforementioned spacius basement of Finaglea aa Bagel. Read it, and eat.
This book examines how media have brought about or paced dramatic political events in Southeast Asia over the last two decades. It highlights a situation where media dynamics are no longer a simple formula of state control versus media resistance. The state can propel its own media-liberalizing programme; civil society can be an enemy of press freedom; market forces and cultural mindsets are sometimes more potent agents of change than state-appointed media custodians. Practitioners, scholars and activists have come together in this volume to provide a diversity of narratives on subjects as varied as powerful politicians and marginalized transsexuals.
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