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This volume offers critical perspectives on memories of political and socioeconomic ‘transitions’ that took place between the 1970s and 1990s across the globe and that inaugurated the end of the Cold War. The essays respond to a wealth of recent works of literature, film, theatre, and other media in different languages that rethink the transformations of those decades in light of present-day crises. The authors scrutinize the enduring silences produced by established frameworks of memory and time and explore the mnemonic practices that challenge these frameworks by positing radical ambivalence or by articulating new perspectives and subjectivities. As a whole, the volume contributes to current debates and theory-making in critical memory studies by reflecting on how the changing recollection of transitions constitutes a response to the crisis of memory and time regimes, and how remembering these times as crises renders visible continuities between this past and the present. It is a valuable resource for academics, students, practitioners, and general readers interested in exploring the dynamics of memory in post-authoritarian societies.
'Black but Human' is a proverb which emerges from the African work songs and poems written by Afro-Hispanics enslaved in Spain during the Hapsburg dynasty. Carmen Fracchia uses the lens of visuals arts and material culture to understand the representation and self-representation of Afro-Hispanic slaves and ex-slaves in this period.
Whenever a major event requires police intervention, questions are raised about the nature of the police response. Could the police have prevented the conflict, been better prepared, reacted more quickly? Could they have acted more forcefully or brought the altercation under control more effectively? Based upon real case studies of events from all
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
This book examines how and why Portugal and Spain increasingly engaged with women in their African colonies in the crucial period from the 1950s to the 1970s. It explores the rhetoric of benevolent Iberian colonialism, gendered Westernization, and development for African women as well as actual imperial practices – from forced resettlement to sexual exploitation to promoting domestic skills. Focusing on Angola, Mozambique, Western Sahara, and Equatorial Guinea, the author mines newly available and neglected documents, including sources from Portuguese and Spanish women’s organizations overseas. They offer insights into how African women perceived and responded to their assigned roles within an elite that was meant to preserve the empires and stabilize Afro-Iberian ties. The book also retraces parallels and differences between imperial strategies regarding women and the notions of African anticolonial movements about what women should contribute to the struggle for independence and the creation of new nation-states.
The portraits of kings that we present in this book allow us to think about the complex relationship between law, religion and sovereign power in the Middle Ages. We seek to answer the question about how medieval artists saw the relationship between king, law and faith and how these works of art helped to build, on the visual plane, the symbolic legitimacy of sovereign power. Following the historical trail of Peterson, Schmitt, Kantorowicz and Agamben, we can observe today the relationship between the body and the acclamation and glorification of the sovereign inscribed in these works of art. They are paintings, frescos and illuminations that constitute the founding political iconography of the image that we have and make of Law and the State. The chronological organization of the images corresponds to Kantorowicz's thesis, according to which the mystical body of the king had first, a Christocentric, then a legal and, finally, a governmental foundation. First, the king as an image of Christ, then, as an image of Law and Justice, and finally, in the early Middle Ages, the king as a government.
This book constitutes the refereed proceedings of the First International Conference on Statistical Language and Speech Processing, SLSP 2013, held in Tarragona, Spain, in July 2013. The 24 full papers presented together with two invited talks were carefully reviewed and selected from 61 submissions. The papers cover a wide range of topics in the fields of computational language and speech processing and the statistical methods that are currently in use.
Capitalism and its Discontents presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.
This book is devoted to the inhabitants of the Spanish–Portuguese borderlands during the early modern period. It seeks to challenge a predominant historiography focused on the study of borderlands societies, relying exclusively on the antagonistic topics of subversion and the construction of boundaries. It states that by focusing just on one concept or another there is a restrictive understanding tending to condition the agency of local communities by external narratives. Thus, if traditionally border people were reduced by some scholars to actors of a struggle against a supposedly imposed border; in a more modern perspective, their behaviors have been also framed in bottom-up processes of...
Wonder Woman soars into new adventures in Wonder Woman: Agent of Peace Vol. 2. Collecting chapters 12-23 of the digital series, the Amazon Princess leaps into action around the globe. Whether it is teaming up with Zatanna on the Las Vegas Strip or working with The Cheetah to take down poachers in Africa, Wonder Woman never wavers in her quest for peace!