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Written by a composer and a musician, The Contemporary Violin offers a unique menu of avant-garde musical possibilities that both performers and composers will enjoy exploring. Allen and Patricia Strange's comprehensive study critically examines extended performance techniques found in the violin literature of the latter half of the twentieth century. Drawing from both published and private manuscripts, the authors present extended performance options for the acoustic, modified, electric, and MIDI violin, with signal processing and computer-related techniques, and include more than 400 notated examples. The authors begin with bowing techniques and proceed systematically through other aspects of string playing, including MIDI technologies. Their correspondence and research with many performers and composers, the book's extensive score and text bibliography, and the discography of more than 130 recordings make The Contemporary Violin a valuable contemporary music reference and guide. An additional benefit is its listing of Internet resources that will keep the reader up to date with recent developments in contemporary performance and composition. First published by UC Press, 2001.
This book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material, it also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, Elizabeth Hinkle-Turner discusses the contribution of women composers to electroacoustic music. The book includes a bibliography and discography covering the work of ninety composers.
This book constitutes the thoroughly refereed post-proceedings of the Third International Workshop on Algorithm Engineering and Experimentation, ALENEX 2001, held in Washington, DC, USA in January 2001.The 15 revised full papers presented together with the abstracts of three invited presentations have gone through two rounds of reviewing and revision and were selected from 31 submissions. Among the topics addressed are heuristics for approximation, network optimization, TSP, randomization, sorting, information retrieval, graph computations, tree clustering, scheduling, network algorithms, point set computations, searching, and data mining.
Today's computers provide music theorists with unprecedented opportunities to analyze music more quickly and accurately than ever before. Where analysis once required several weeks or even months to complete¿often replete with human errors, computers now provide the means to accomplish these same analyses in a fraction of the time and with far more accuracy. However, while such computer music analyses represent significant improvements in the field, computational analyses using traditional approaches by themselves do not constitute the true innovations in music theory that computers offer. In Hidden Structure: Music Analysis Using Computers David Cope introduces a series of analytical proce...
Volumes 7-77, 80-83 include 13th-83rd, 86th-89th annual report of the American Baptist missionary union.
In Introduction to Audio Production Peter Utz presents a concise overview of audio production, as well as how to set up and use the most common types of audio equipment to make and play back recordings. Utz leads the reader step-by-step through the process of selecting microphones, positioning them to receive the clearest sound, then connecting them properly to mixers and amplifiers. Digital and analog audio recording techniques are taught, along with methods of mixing, manipulating, editing and “sweetening” the sound as well as copying it for distribution on tape, compact discs, and other media. Practical skills, useful in the studio or in field production, are emphasized, such as when to use certain types of cables, connectors, inputs, and outputs. This book is an essential guide to anyone working in the field.
Artificial Life, or A-Life, aims at the study of all phenomena characteristic of natural living systems, through computational modeling, wetware-hardware hybrids, and other artificial media. Its scope ranges from the investigation of the emergence of cognitive processes in natural or artificial systems to the development of life or life-like properties from inorganic components. A number of musicians, in particular composers and musicologists, have started to turn to A-Life for inspiration and working methodology. This edited volume features thirteen chapters written by researchers and practitioners in this exciting emerging field of computer music, and includes a CD with various examples music related to A-Life.