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Det Byzantinske riges historie fra 284 til 1461
Based on four seasons of fieldwork, this book presents the results of the first systematic site survey of a region rich in material remains. From architecture to fresco painting, Cappadocia represents a previously untapped resource for the study of material culture and the settings of daily life within the Byzantine Empire.
March 1998 saw Byzantinists gathering together at the University of Sussex in Brighton, for the annual symposium held by the Society for the Promotion of Byzantine Studies. Their aim was to consider the question of the 'Byzantine outsider'. Some categories of outsiders appear clear and simple: those marked out by class, race, sex, religion. But these categories are not universals. Today, historians of all periods are examining the ways in which we analyse the divisions in our societies, which can determine how we look at societies in the past. There is no consensus on who forms the 'outsider class' in modern society; it should come as no surprise that there was no consensus in Byzantium as t...
Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of...
This book explores the role of bodily, sensory experience in early Christianity (first – seventh centuries AD) by focusing on the importance of smell in ancient Mediterranean culture. Following its legalization in the fourth century Roman Empire, Christianity cultivated a dramatically flourishing devotional piety, in which the bodily senses were utilized as crucial instruments of human-divine interaction. Rich olfactory practices developed as part of this shift, with lavish uses of incense, holy oils, and other sacred scents. At the same time, Christians showed profound interest in what smells could mean. How could the experience of smell be construed in revelatory terms? What specifically...
The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book, including the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, and Russia, as well as parallel developments in Crusader and early Islamic architecture.
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identit...
By the sixth century of the common era the Roman Empire already had many hundreds of years of accumulated ceremonial embedded in its government, and practical science embodied in its army. The transition from Republic to Imperium and the more hierarchical structure that entailed, and the absorption of Christianity into state processes, had pushed the development of court ceremonial apace, and particularly driven its embodiment and display in ever more opulent regalia. The regalia embraced not only garments of distinctive form and decoration, but also both dress and non-dress accessories. It was crucial in displaying rank and function on an everyday basis, yet was also varied considerably for special occasions. Military dress largely reflected forms current amongst ordinary men, but with an emphasis on functionality, eschewing the excesses of fashion. Detailed literary and artistic sources, archaeology and insights derived from reconstruction and practical experience has gone into creating an incredibly lavish picture of the clothing of the longest-enduring political entity in history. Links End Links Author End Author
According to Byzantium's leaders, their imperial order anchored in Constantinople was the centre of excellence - spiritual, moral, material and aesthetic. They rewarded individuals willing to join, and favoured outside groupings prepared to cooperate militarily or politically. Interactions with outsiders varied over place and time, complicated by the sometimes differing priorities of Byzantine churchmen and monks on or beyond Byzantium's borders. These studies consider the dynamics of such interactions, notably the interrelationship between the Bulgarians and their Byzantine neighbour. The Bulgarians' reaction to Byzantium ranged from 'contrarianism' to the systematic adaptation of Byzantine...
Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period...