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Letters and Cultural Transformations in the United States, 1760-1860
This volume illustrates the significance of epistolarity as a literary phenomenon intricately interwoven with eighteenth- and nineteenth-century cultural developments. Rejecting the common categorization of letters as primarily private documents, this collection of essays demonstrates the genre's persistent public engagements with changing cultural dynamics of the revolutionary, early republican, and antebellum eras. Sections of the collection treat letters' implication in transatlanticism, authorship, and reform movements as well as the politics and practices of editing letters. The wide range of authors considered include Mercy Otis Warren, Charles Brockden Brown, members of the Emerson and Peabody families, Margaret Fuller, Elizabeth Stoddard, Catherine Brown, John Brown, and Harriet Jacobs. The volume is particularly relevant for researchers in U.S. literature and history, as well as women's writing and periodical studies. This dynamic collection offers scholars an exemplary template of new approaches for exploring an understudied yet critically important literary genre.
Elizabeth Stoddard & the Boundaries of Bourgeois Culture
Elizabeth Stoddard and the Boundaries of Bourgeois Culture traces Stoddard's emergence as a writer in the 1850s, her conflict-ridden relationships with the writers associated with the genteel tradition, and her efforts to negotiate the boundaries of Victorian culture in the United States. While in many ways a critic of nineteenth-century bourgeois culture, Stoddard remained in other ways an adherent; her work was not a rejection of bourgeois culture but a reworking of it, which suggests that bourgeois culture was not as monolithic as later critics believed. Recovering the richness and possibility that characterized early Victorian writing, this book examines the range of literary expression which had existed at mid-century, a period that boasts some of American literature's most iconoclastic voices.
George Cukor's People
The director of classic films such as Sylvia Scarlett, The Philadelphia Story, Gaslight, Adam’s Rib, A Star Is Born, and My Fair Lady, George Cukor is widely admired but often misunderstood. Reductively stereotyped in his time as a “woman’s director”—a thinly veiled, disparaging code for “gay”—he brilliantly directed a wide range of iconic actors and actresses, including Cary Grant, Greta Garbo, Spencer Tracy, Joan Crawford, Marilyn Monroe, and Maggie Smith. As Katharine Hepburn, the star of ten Cukor films, told the director, “All the people in your pictures are as goddamned good as they can possibly be, and that’s your stamp.” In this groundbreaking, lavishly illustra...
Memoirs and Reflections
From “the Kid” on the Varsity Blues football team to “the Chief” at Osgoode Hall, R. Roy McMurtry has had a remarkably varied and influential career. As reformist attorney general of Ontario, one of the architects of the agreement that brought about the patriation of the Canadian Constitution, high commissioner to the United Kingdom, and chief justice of Ontario, he made a large and enduring contribution to Canadian law, politics, and life. These memoirs cover all these facets of his remarkable career, as well as his law practice, his work on various commissions of inquiry, and his reflections on family, sport, and art. This volume is both an account of his life in public service and a portrait of a humane, humorous, still optimistic, and always decent man.
"Miscegenation"
In the years between the Revolution and the Civil War, as the question of black political rights was debated more and more vociferously, descriptions and pictorial representations of whites coupling with blacks proliferated in the North. Novelists, short-story writers, poets, journalists, and political cartoonists imagined that political equality would be followed by widespread inter-racial sex and marriage. Legally possible yet socially unthinkable, this "amalgamation" of the races would manifest itself in the perverse union of "whites" with "blacks," the latter figured as ugly, animal-like, and foul-smelling. In Miscegenation, Elise Lemire reads these literary and visual depictions for wha...
Black Walden
Charting the rise and fall of a community of former slaves struggling to survive on the fringes of Concord, Massachusetts, Black Walden reveals the role that slavery and its aftermath played in forming Thoreau's beloved Walden landscape.
Mad/Bad/Sad: Philosophical, Political, Poetic and Artistic Reflections on the History of Madness
This volume collects a series of writings exploring the notion, the experience and the representation of madness from different disciplinary perspectives and in different cultural contexts.
The Children In the Woods
Ghost Girl DeeDee Olsen Blanchard is back with another supernatural case to solve. Now an adult and Child Psychologist, she practices medicine in her hometown of Pahokee, Florida. New patient, seven-year-old Ethan Portman, is brought to DeeDee by his mother for treatment of what she believes is a dissociative disorder, telling DeeDee that he has always been a happy and loving child but has suddenly become despondent, refuses to eat, and no longer plays with his toys. Upon her assessment of, and conversation with Ethan, DeeDee discovers that his condition isn’t medically related. Ethan is being haunted by the dead twin brother that he never knew existed who is attempting to persuade him to ...
