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When Michael Holroyd's life of Strachey appeared in 1967, it changed the course of modern biography, setting a new standard for the recounting of literary lives and launching the enduring Bloomsbury revival. In the 1960s, however, many of Strachey's friends and lovers were still alive; much could not be said, and access to letters and resources was restricted. Since then, almost all his circle has died, and homosexuality in England has been decriminalized. In telling Strachey's life anew, Holroyd has drawn on a wealth of previously unavailable material, bring fresh candor and accuracy to his account of Strachey's friendships with E. M. Forster, Virginia and Leonard Woolf, Duncan Grant and Va...
When Michael Holroyd's life of Strachey first appeared in 1967, it was hailed as a landmark in contemporary biography. Drawing now on new material, published and unpublished, Holroyd has completely revised and rewritten his masterwork to tell the full story of this complex man and his world as it could not be told while many of Strachey's friends and lovers were still alive. And at the heart of the story is the poignant liasion between Strachey and the painter Dora Carrington. A panorama of the social, literary, political and sexual life of a generation, LYTTON STRACHEY reverberates in the mind like a great novel.
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While working on his two-volume biography of Lytton Strachey, Michael Holroyd had access to the Strachey archives. From the same source he collected all Strachey's diaries and memoirs, which together in this volume form an intermittent but not disconnected autobiography. From childhood diaries to the introspective and often anguished records of late adolescence emerges an intimate self-portrait, valuable for its own sake and also for the light it sheds on the most gifted members of the Bloomsbury Group. In addition to the informal diaries, Strachey wrote and read to the Memoir Club two autobiographical essays (also published here) which may be judged among the finest and most characteristic of his writing.
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The focus of this book is on Lytton Strachey's literary critical essays and his major biographies. By placing his work in the broader context of the Modernist canon, it aims to offer a complete yet far from definitive picture of the writer who wrote ' the first book of the twenties'