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Troubling Violence
  • Language: en
  • Pages: 169

Troubling Violence

Troubling Violence: A Performance Project follows the collaboration between performance studies professor M. Heather Carver and ethnographic folklorist Elaine J. Lawless. The book traces the creative development of a performance troupe in which women take the stage to narrate true, harrowing experiences of domestic violence and then invite audience members to discuss the tales. Similar to the performances, the book presents real-life narratives as a means of heightening social awareness and dialogue about intimate partner violence. “Troubling violence” refers not only to the cultures in our society that are “troubling,” but also to the authors' intent to “trouble” perceptions tha...

Voices Made Flesh
  • Language: en
  • Pages: 348

Voices Made Flesh

Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed. The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers--Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah--tell t...

Saturday Night Live and the 1976 Presidential Election
  • Language: en
  • Pages: 208

Saturday Night Live and the 1976 Presidential Election

  • Type: Book
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  • Published: 2018-02-12
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  • Publisher: McFarland

Two events in 1976 had enduring effects on American culture—the debut of Saturday Night Live and the presidential election pitting Gerald Ford against Jimmy Carter. With its mix of sketch comedy and music, SNL grabbed huge ratings and several Emmys in its first season and made household names of its seven original cast members. While fighting for the Republican presidential nomination (and his political survival) President Ford allowed his press secretary, Ron Nessen, to guest-host SNL—the first politician to do so. Ford also appeared on the show, via video tape, to offer a comic counterpunch to Chevy Chase’s signature line, “I’m Chevy Chase and you’re not." In the election seasons that followed, it became a rite of passage for politicians establishing a national profile to appear on SNL, while the show's treatment of them and their platforms has had a continuing impact on political discourse.

Political Pioneer of the Press
  • Language: en
  • Pages: 245

Political Pioneer of the Press

Known most prominently as a daring anti-lynching crusader, Ida B. Wells-Barnett (1862-1931) worked tirelessly throughout her life as a political advocate for the rights of women, minorities, and members of the working class. Despite her significance, until the 1970s Wells-Barnett’s life, career, and legacy were relegated to the footnotes of history. Beginning with the posthumously published autobiography edited and released by her daughter Alfreda in 1970, a handful of biographers and historians—most notably, Patricia Schechter, Paula Giddings, Mia Bay, Gail Bederman, and Jinx Broussard—have begun to place the life of Wells-Barnett within the context of the social, cultural, and politi...

Calamity
  • Language: en
  • Pages: 327

Calamity

A fascinating new account of the life and legend of the Wild West’s most notorious woman: Calamity Jane Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin’ tootin’ “lady wildcat” of the American West. Brave and resourceful, she held her own with the men of America’s most colorful era and became a celebrity both in her own right and through her association with the likes of Wild Bill Hickok and Buffalo Bill Cody. In this engaging account, Karen Jones takes a fresh look at the story of this iconic frontierswoman. She pieces together what is known of Canary’s life and shows how a rough and itinerant lifestyle paved the way for the scattergun, alcohol-fueled heroics that dominated Canary’s career. Spanning Canary’s rise from humble origins to her role as “heroine of the plains” and the embellishment of her image over subsequent decades, Jones shows her to be feisty, eccentric, transgressive—and very much complicit in the making of the myth that was Calamity Jane.

Lives in Play
  • Language: en
  • Pages: 272

Lives in Play

Lives in Play explores the centrality of life narratives to women’s drama and performance from the 1970s to the present moment. In the early days of second-wave feminism, the slogan was “The personal is the political.” These autobiographical and biographical “true stories” have the political impact of the real and have also helped a range of feminists tease out the more complicated aspects of gender, sex, and sexuality in a Western culture that now imagines itself as “postfeminist.” The book’s scope is broad, from performance artists like Karen Finley, Holly Hughes, and Bobby Baker to playwrights like Suzan-Lori Parks, Maria Irene Fornes, and Sarah Kane. The book links the na...

Letters from Linda M. Montano
  • Language: en
  • Pages: 311

Letters from Linda M. Montano

  • Categories: Art
  • Type: Book
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  • Published: 2012-10-12
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  • Publisher: Routledge

Letters from Linda M. Montano is an anthology of writings by one of the seminal performance artists of the last century. It provides an autobiographical and historical record of Montano's artistic practice over the last thirty years, collecting together stories, fairytales, letters, interviews, manifestos and other previously unpublished writings. At the same time, the book acts as a 'how-to' manual for aspiring performance artists, offering practical guidance for students and a range of exercises that Montano has used in her teachings and workshops. Finally, Letters from Linda M. Montano represents a performance in itself, in which the artist considers the process of writing, creating and bringing the work to fruition as another form of 'endurance performance' similar to that of her durational works 14 Years of Living Art and Blood Family Art. COVER PHOTO COURTESY OF GISELA GAMPER.

The Alcalde
  • Language: en
  • Pages: 92

The Alcalde

  • Type: Magazine
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  • Published: 2009-09
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  • Publisher: Unknown

As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."

Inventing a Voice
  • Language: en
  • Pages: 502

Inventing a Voice

Inventing a Voice is a comprehensive work on the lives and communication of twentieth-century first ladies. Using a rhetorical framework, the contributors look at the speaking, writing, media coverage and interaction, and visual rhetoric of American first ladies from Ida Saxton McKinley to Laura Bush. The women's rhetorical devices varied--some practiced a rhetoric without words, while others issued press releases, gave speeches, and met with various constituencies. All used interpersonal or social rhetoric to support their husbands' relationships with world leaders, party officials, boosters, and the public. Featuring an extensive introduction and chapter on the 'First Lady as a Site of 'American Womanhood, '' Wertheimer has gathered a collection that includes the post-White House musings of many first ladies, capturing their reflections on public expectations and perceived restrictions on their communication.

Long Suffering
  • Language: en
  • Pages: 207

Long Suffering

An unflinching, illuminating look at three U.S. artists and their performances of suffering