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In The Prison of Love, Emily Francomano offers the first comparative study of this sixteenth-century work as a transcultural, humanist fiction.
To whom does a painted tablet—a tabula picta—belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was...
The early modern period saw the proliferation of religious, public and charitable institutions and the emergence of new educational structures. By bringing together two areas of inquiry that have so far been seen as distinct, the study of institutions and that of the house and domesticity, this collection provides new insights into the domestic experience of men, women and children who lived in non-family arrangements, while also expanding and problematizing the notion of 'domestic interior'. Through specific case studies, contributors reassess the validity of the categories 'domestic' and 'institutional' and of the oppositions private public, communal individual, religious profane applied t...
The fourteenth and fifteenth centuries were times of tumultuous change in medieval Europe; they witnessed the Black Death, the Great Papal Schism, heightened fears of the apocalypse, and the elimination of Spain's non-Christian population. Few figures were as widely and as intimately involved in late medieval Europe's struggles as Saint Vincent Ferrer. Perhaps the foremost preacher of his day, Ferrer spent the final two decades of his life traversing Europe, preparing the world for its imminent destruction. Saint Vincent Ferrer (d. 1419), His World and Life reassesses the controversial preacher's motives, methods, and impact, tracing Ferrer's journey from obscure logician to angel of the apocalypse, as he came to be known. At the same time, the book offers new insights into the depth and breadth of late medieval apocalyptic anticipation, and into the processes that ultimately led to the expulsions of Spain's Jews and Muslims.
Aquest llibre recull els textos de les ponències presentades en el congrés internacional “Vicent Ferrer. Projecció europea d’un sant valencià”, organitzat per l’Acadèmia Valenciana de la Llengua i la Universitat de València i celebrat a la ciutat de València entre els dies 16 i 19 d’octubre de 2019. S’hi aborda de manera global la figura històrica de sant Vicent Ferrer, des dels contextos històrics i culturals en què pronuncià les homilies, fins a les estratègies discursives que feia servir en les prèdiques, passant per la llengua que utilitzava per a dirigir-se al públic, la tradició textual dels seus sermons i el seu posicionament davant els conflictes del moment, com ara el cisma d’Occident i el compromís de Casp, sense oblidar altres aspectes de naturalesa teològica, litúrgica o eclesial, entre els quals destaquen les seues consideracions sobre l’anticrist i la fi del món.
Grounded in archival sources, this interdisciplinary study explores the profound historical significance of the mausoleum of the Valois Dukes of Burgundy - the Chartreuse de Champmol. Although the monument is well known as the site of pivotal works of art by Claus Sluter, Melchior Broederlam, Jean de Beaumetz and others, until now art historians have not considered how these works functioned at the center of a complex social matrix. Sherry Lindquist here considers the sacred subjects of the various sculptures and paintings not merely as devotional tools or theological statements, but as profoundly influential social instruments that negotiated complex interactions of power. Lindquist's sophisticated discussion coordinates analysis of primary sources with the most up-to-date scholarship in the field of art history, not only with respect to late medieval Burgundian art, but also to more theoretical questions pertaining to reception.
Two hundred years after canon law prohibited clerical marriage, parish priests in the late medieval period continued to form unions with women that were marriage all but in name. In Defiant Priests, Michelle Armstrong-Partida uses evidence from extraordinary archives in four Catalan dioceses to show that maintaining a family with a domestic partner was not only a custom entrenched in Catalan clerical culture but also an essential component of priestly masculine identity. From unpublished episcopal visitation records and internal diocesan documents (including notarial registers, bishops' letters, dispensations for illegitimate birth, and episcopal court records), Armstrong-Partida reconstruct...
Biografies invisibles: Marginats i marginals és un volum que conté una sèrie d’estudis de casos concrets de personatges històrics desconeguts en gran mesura i que, pel fet d’haver tingut unes vides al marge de la llei en moltes ocasions, no són actualment coneguts. També, sobre personatges literaris que encarnen aquelles opcions no majoritàries i, encara, reflexions més genèriques sobre aquells grups o sobre els textos que ens han transmés aquelles realitats. Biografies invisibles: Marginats i marginals conté quasi una vintena de treballs de reconeguts especialistes de diferents universitats europees, que han analitzat casos de dones marginades, homosexuals, i d’altres perso...
This collection takes a new approach to understanding religious plurality in the Iberian Peninsula and its Mediterranean and northern European contexts. Focusing on polemics—works that attack or refute the beliefs of religious Others—this volume aims to challenge the problematic characterization of Iberian Jews, Muslims, and Christians as homogeneous groups. From the high Middle Ages to the end of the seventeenth century, Christian efforts to convert groups of Jews and Muslims, Muslim efforts to convert Christians and Jews, and the defensive efforts of these communities to keep their members within the faiths led to the production of numerous polemics. This volume brings together a wide ...
"Bulletin bibliographique" in each number, 1839/1840-1848/1849; "Bibliographie" including "Livres nouveaux" (titles numbered continuously for each year) in each number, 1849-1959.