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From Mine to Microscope
These twenty papers dedicated to Mike Tite focus upon the interpretation of ancient artefacts and technologies, particularly through the application of materials analysis. Instruments from the human eye to mass spectrometry provide insights into a range of technologies ranging from classical alum extraction to Bronze Age wall painting, and cover materials as diverse as niello, flint, bronze, glass and ceramic. Ranging chronologically from the Neolithic through to the medieval period, and geographically from Britain to China, these case studies provide a rare overview which will be of value to students, teachers and researchers with an interest in early material culture.
The Donkey and the Boat
A new account of the Mediterranean economy in the 10th to 12th centuries, forcing readers to entirely rethink the underlying logic to medieval economic systems. Chris Wickham re-examines documentary and archaeological sources to give a detailed account of both individual economies, and their relationships with each other. Chris Wickham offers a new account of the Mediterranean economy in the tenth to twelfth centuries, based on a completely new look at the sources, documentary and archaeological. Our knowledge of the Mediterranean economy is based on syntheses which are between 50 and 150 years old; they are based on outdated assumptions and restricted data sets, and were written before ther...
Bramiana
The Minoan site at Bramiana in southeastern Crete provides evidence for a Bronze Age economy based on trade, agriculture, and craftwork. This publication uses a new system of organizing the pottery by petrography-sorting it by materials and workshop practices-revealing a trade network of cooking pots and other clay vessels and their contents.
MS-Office
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Recent Advances in Laser Ablation ICP-MS for Archaeology
This book explores different aspects of LA-ICP-MS (laser ablation-inductively coupled plasma-mass spectrometry). It presents a large array of new analytical protocols for elemental or isotope analysis. LA-ICP-MS is a powerful tool that combines a sampling device able to remove very small quantities of material without leaving visible damage at the surface of an object. Furthermore, it functions as a sensitive analytical instrument that measures, within a few seconds, a wide range of isotopes in inorganic samples. Determining the elemental or the isotopic composition of ancient material is essential to address questions related to ancient technology or provenance and therefore aids archaeologists in reconstructing exchange networks for goods, people and ideas. Recent improvements of LA-ICP-MS have opened new avenues of research that are explored in this volume.
Porcelain Analysis and Its Role in the Forensic Attribution of Ceramic Specimens
The material for this book arose from the author’s research into porcelains over many years, as a collector in appreciation of their artistic beauty , as an analytical chemist in the scientific interrogation of their body paste, enamel pigments and glaze compositions, and as a ceramic historian in the assessment of their manufactory foundations and their correlation with available documentation relating to their recipes and formulations. A discussion of the role of analysis in the framework of a holistic assessment of artworks and specifically the composition of porcelain, namely hard paste, soft paste, phosphatic, bone china and magnesian, is followed by its growth from its beginnings in ...
Catalogue: Authors
Its outstanding feature is the inclusion of journal articles. For more than 50 years the periodicals have been indexed, as well as compilations such as Festschriften, and the proceedings of congresses.
Scientific Investigation of Copies, Fakes and Forgeries
The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.
