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Histoire de La Duchesse de C***', by Stephanie de Genlis
A 100-page Gothic tale embedded in Genlis's 1782 novel 'Adèle et Théodore', the 'Histoire de la duchesse de C***' tells the story of an Italian duchess secretly imprisoned by her husband for nine years in a dungeon under his palace after he drugs her, simulates her death, and buries a waxen figure in her place. In a footnote to the 1804 edition of the novel, Genlis explains that the story is based on the experiences of the Italian Duchess of Cerifalco, whom Genlis met in Rome in 1776. The duchess's tale quickly became so popular that Genlis published it in a separate edition in 1783; as Genlis's fame as a writer and educator spread, both the novella and the novel from which it was drawn we...
The Philosophical and Literary Ideas of Mme de Staël and of Mme de Genlis
If nearly two centuries have left the reputation of Mme de Staël intact, the same could not be said for Mme de Genlis who, despite several recent studies, remains unknown to critics and the general public. This book compares and contrasts the ideas of these two women who lived in the same period. It strives to emphasize the system of thought that was the basis for their reactions to the historical events of their time. This volume contains a new reading of the historical novels of Mme de Genlis, highlighting some Romantic aspects in her works. It shows that Mme de Genlis, who professed to hate Romanticism, was in reality strongly influenced by this movement. Finally, a comparison between Corinne and Delphine and La Duchesse de la Vallière and Madame de Maintenon underlines the importance of history for these two writers and the different ways in which they approached it in their work.
Memoirs of the Countess De Genlis
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Tales of the Castle
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Madame de Genlis
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