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Portraits of the poor men, women, and children of India taken in the late 1940s, accompanied by an essay describing a young man's journey through his country
Travelogue, covering South Asia.
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Pauranic Prana-aesthetics, a finer shade different from that of vitalistic aesthetics )the earlier having breathing-rhythm of Ksaya-Vrddhi --diminuation and augmentation--other than the latter`s emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world`s two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most significant and monumentally beautiful work of Byzantine art. Tracing Prana-aesthetics as the aesthetics of inner-light coded in the creeper-motif by the artists of Ajanta, this work emphasises decoding of the creeper-motif by Byzantine artists cul...
Dr.Sujatha Jamuna Anand, Principal, Loyola Institute of Technology, Chennai, Tamil Nadu, India. Dr.V.Balaji, Professor & Head, Department of Mechanical Engineering, Loyola Institute of Technology, Chennai, Tamil Nadu, India. Dr.D.Srinivasan, Associate Professor, Department of Mechanical Engineering, Loyola Institute of Technology, Chennai, Tamil Nadu, India. Ms.E.Stephena, Assistant Professor, Department of Electronics and Communication Engineering, Loyola Institute of Technology, Chennai, Tamil Nadu, India.