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Der Gott der Sinne
Gemeinhin gelten Reformierte nicht als Freunde der Kunst. Frank Mathwig und Matthias Zeindler unternehmen es, als reformierte Christen und Theologen Werke der Kunst zu sehen, zu hören, zu lesen. Was sehen und hören sie, wenn sie sich Mani Matters Liedern oder Bilder von M. S. Bastian / Isabelle L. nähern? Den Texten von Agota Kristofs oder der Architektur von Daniel Libeskind? In der Festgabe für Magdalene L. Frettlöh spüren sie der Frage nach einem spezifisch reformierten Blick auf Kunstwerke nach.
國不攻打國：戰爭與和平史學論集
建道神學院為紀念第二次世界大戰結束七十周年，於2015年10月30至31日召開「2015戰爭與和平國際學術研討會：宗教視角」，邀請中外學者從聖經研究、神學、倫理學及史學角度研討基督信仰和教會如何就戰時社會的需要作出回應，以及為和平所作的努力和貢獻。學者為和平發聲乃應有之義。本論集收錄是次會議主題演講及史學論文共十七篇。誠然，「復和的基礎在於承認錯誤、尋求被加害者的原諒，及懇求上帝的寬恕。」祈願人類能以史為鑑，以基督的大愛解決爭端。
The Illusion of Invincibility
A GLIMPSE BEHIND THE FACADE OF SUCCESS In The Illusion of Invincibility, Paul Williams and Andreas Krebs take a no-punches-held look at the stories we tell ourselves about business success. The rags-to-riches tale is tempting, but we don't have to search far to see that most organizations rise for a time, only to experience a dramatic fall from grace. Just look at some of the companies that used to be household names: Nokia, AOL, Pan Am, Woolworth and Blockbuster. Move from good to great: You'll learn the secrets to clear-eyed, value-driven leadership with stories from top managers from international companies, major family businesses, start-ups, consulting firms, the public sector, and NGOs...
The Judean Pillar-figurines and the Archaeology of Asherah
(BAR S636, 1996)
Theologische Revue
None
Exodus; a Commentary
Exodus is seen in its relation to the preceding Genesis and to the succeeding three books of the Pentateuch. Unlike Genesis, which dealt with individuals, Exodus is primarily concerned with Israel collectively and with the basic elements of Israel's faith. The author shows that the central motifs are the flight from Egypt, especially the crossing of "the sea", and the theophany and covenant at Sinai. The exegesis deals with the narrative as it appears in its final form but, in order to clarify the story, the author makes constant references to the successive stages in its literary development, and throughout the commentary he distinguishes the literary strands -- notably those know as J, E, and P -- that are woven into the fabric of the book.
