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This volume deals with the strategies of the Counter-Reformation in the far North during the Thirty Years' War, and untangles the policies and motives that led to the conversion of Queen Christina of Sweden to Roman Catholicism in 1965.
This is a book about how the modern notion of materiality was established during the period c. 1680-1760. It studies what natural philosophers engaged in chemistry and mineralogy said about phenomena such as witchcraft, trolls and subtle matters, and relates this discourse to their innovations in matter theory. In this way it takes the debate about Enlightenment, which has mostly been confined to fields such as the history of philosophy, theology and physics, into a new arena.
The first book in Moberg's classic Emigrant Novels series.
Night fighting in the air is a devious and clandestine form of mortal combat. In the blackness of night, success goes to the resolute hunter who stalks his prey unseen, and strikes from behind, swiftly and mercilessly. A sudden burst of machine-gun or cannon fire into an opponentÍs belly often caught the enemy unprepared, obliterating men and machines in a hail of explosions. Chivalry had no place in the combats of the night sky. A corridor from The Wash to Birmingham was turned into a fierce battleground in two world wars. The air route from Germany and the occupied countries through this corridor, to targets right across the industrial heartland of England, became a three-dimensional comb...
The original idea for a conference on the "shapes of knowledge" dates back over ten years to conversations with the late Charles Schmitt of the Warburg Institute. What happened to the classifications of the sciences between the time of the medieval Studium and that of the French Encyclopedie is a complex and highly abstract question; but posing it is an effective way of mapping and evaluating long term intellectual changes, especially those arising from the impact of humanist scholarship, the new science of the seventeenth century, and attempts to evaluate, to apply, to reconcile, and to institutionalize these rival and interacting traditions. Yet such patterns and transformations cannot be well understood from the heights of the general history of ideas. Within the ~eneral framework of the organization of knowledge the map must be filled in by particular explorations and soundings, and our project called for a conference that would combine some encyclopedic (as well as interdisciplinary and inter national) breadth with scholarly and technical depth.
Bernhard Varenius’ books influenced the history of science in such a way that Isaac Newton, Alexander von Humboldt and Tsar Peter the Great all referred to him. Varenius wrote the first comprehensive description of Japan (Descriptio regni Japoniae, 1649) from a European perspective, exclusively based on a diversity of sources. But the impact of his Geographia generalis (1650) explains his ranking among the founding fathers of geography as a science. He called ‘general’ geography a branch of (applied) mathematics which does not deal with regional specifics. The contributions in this book focus on his multi-faceted work, the influence of his books and the tragically short life of this young polymath from Germany who benefited from the intellectually stimulating milieu of Leiden and Amsterdam. Contributors include: Horst Walter Blanke, Reinhard Düchting, Klaus Lehmann, Robert Mayhew, Sandra Rebok, Folker Reichert, Frank Richter, Margret Schuchard, Denis J.B. Shaw, Ulrich Staffhorst, Johann Anselm Steiger, Rienk H. Vermij, and Ernst-Christian Volkmann.
A landmark in the study of early modern Europe, this two-volume collection makes available for the first time a selection of the most important texts from court and civic festival books. Festival entertainments were presented to mark such occasions as royal and ducal entries to capital cities, dynastic marriages, the birth and christening of heirs, religious feasts and royal and ducal funerals. Europa Triumphans represents the chronological and trans-European range of the court and civic festival. These festivals are considered not simply as texts, but as events, and are introduced by groups of scholars, each with a specialist knowledge of the political, social and cultural significance of t...
Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.
The Universal Declaration of Human Rights is one of the world's best-known and most translated documents. When it was presented to the United Nations General Assembly in December in 1948, Eleanor Roosevelt, chair of the writing group, called it a new "Magna Carta for all mankind." The passage of time has shown Roosevelt to have been largely correct in her prediction as to the declaration's importance. No other document in the world today can claim a comparable standing in the international community. Roosevelt and French legal expert René Cassin have often been represented as the principal authors of the declaration. But in fact, it resulted from a collaborative effort involving a number of...
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg...