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Throughout his artistic career Picasso was fascinated by both caricature and the idea of the grotesque. This is the first book to examine the distortion of the figure as a central creative force in Picasso's art and as a springboard for his continual process of stylistic metamorphosis.
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"Museo Nacional Centro de Arte Reina Sofia, 20.12.07-24.03.08; Petit Palais, Paris, 05.07.08-31.08.08."
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Catàleg de l'exposició celebrada al Palau Moja de Barcelona l'estiu de 2006, que recull obres d'artistes reconeguts mai exposades des de l'època en què foren re alitzades. Noms com Ràfols-Casamada, Guinovart, Ponç o Fornells-Pla, entre d'alt res, són alguns representants d'un període artístic d'avantguarda anterior a l'I nformalisme, que explorarà una figuració de trets ingenuistes o primitivistes.
Pour le trentième anniversaire de la mort de l'artiste, P. Daix décrit l'évolution de la compréhension de son oeuvre.
A l'occasion de son 20e anniversaire, le Musée Picasso présente un ensemble de plus de 300 dessins, aquarelles, gouaches, pastels et papiers collés de celui qui fut le plus grand dessinateur du 20e siècle.
This book aims to show how Picasso returned to a Barcelona in 1917 after many years in Paris, where he encountered a rich cultural scene, a city unlike the one he had left. It also intend to examine the nature of his relationships with the local artists, the tourist outings he went on, the things he did in his spare time, and his artistic output during this period, which was particularly prolific.0In this interlude in Barcelona, far from the oppressive climate in Paris, a city then at war, and from his Cubist circles, Picasso was able to work freely, searching for new forms of expression. This was a moment of stylistic transition in Picasso?s œuvre that would continue in the years immediately afterwards, when classical sources alternated totally freely with the achievements of Cubism.00Exhibition: Picasso Museum, Barcelona, Spain (26.10.2017-28.01.2018).