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The classical Roman revivalist No other architect in the history of Western art has had an influence so spontaneous and yet so enduring as Andrea Palladio. Palladianism broke through all cultural stylistic barriers. It spread not only throughout the Neo-Latin nations but held Germany, the Netherlands, Scandinavia and the countries of Eastern Europe in its sway and formed the lineaments of English architecture of the 17th and 18th centuries. Palladio lived in an age which was extremely exciting for the historical development of architecture and his work was an important factor in the evolution from Renaissance to Baroque. This volume offers a thorough introduction to the architecture of Palladio and includes all works which researchers have attributed to him."
This penetrating study of one of the most fruitful epochs in European art presents the Renaissance not simply as the rebirth of classical styles, but also as the period that saw ""the invasion of man and his world into the domain of the arts"".
Andrea Palladio's 'Villa Rotonda' in Vicenza became the most famous building of its kind; it influenced many later designs and remains an important source of inspiration for architects. Part of the "Basic Architecture" series, this title gives an introduction to the work of Andrea Palladio (1508-1580).
Wundram presents a concise introduction to the period, its distinguishing features in terms of style, and the works of its most noteworthy painters. These 190 analyses of representative masterpieces offer a journey through 2 centuries of painting.
This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists. This volume traces the history of painting from medieval times to modern times with a focus on each era and its major artists.
This book contains a selection of the most important works of the epoch. It features artists such as Giotto di Bondone, Duccio di Bouninsegna, Dieric Bouts, Robert Campin, Cimabue, Petrus Christus, Barthelemy d'Eyck, Jan van Eyck, Andrea da Firenze and Jean Fouquet.
Understand a new world view. From Florence to Nuremberg, Venice to Bruges, this essential guide charts the transformative reach and sweep of the Renaissance. Through its key artists and pioneering works we explore a movement which revolutionized the Western concept of reality and marked the transition from the Middle Ages into the modern era.
Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
This refreshing new look at Medieval art conveys a very real sense of the impact of art on everyday life in Europe from 1000 to 1500. It examines the importance of art in the expression and spread of knowledge and ideas, including notions of the heroism and justice of war, and the dominant view of Christianity. Taking its starting point from issues of contemporary relevance, such as the environment, the identity of the artist, and the position of women, the book also highlights the attitudes and events specific to the sophisticated visual culture of the Middle Ages, and goes on to link this period to the Renaissance. The fascinating question of whether commercial and social activities between countries encouraged similar artistic taste and patronage, or contributed to the defining of cultural difference in Europe, is fully explored.
Older research on the premodern world limited its focus on the Church, the court, and, more recently, on urban space. The present volume invites readers to consider the meaning of rural space, both in light of ecocritical readings and social-historical approaches. While previous scholars examined the figure of the peasant in the premodern world, the current volume combines a large number of specialized studies that investigate how the natural environment and the appearance of members of the rural population interacted with the world of the court and of the city. The experience in rural space was important already for writers and artists in the premodern era, as the large variety of scholarly...