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Nine finely nuanced stories that explore the themes of desire, intimacy and love... A contractor at a dam site develops so obsessive a desire for a tribal woman that he brings home and holds captive another man’s wife; a kathak dancer trapped in a marriage of convenience with an older man talks scathingly of fidelity; an accidental step into an occupied bathroom changes a young Delhi servant boy’s life forever; a young married couple beleaguered by infertility desperately tries to reignite the romance and passion of their honeymoon on a houseboat in Kashmir. Set across India, each of the stories in this collection unerringly locates the defiant undercurrent of individual expression in a world shackled by societal norms.
In the village of Takht Hazara, the musically gifted Deedho Ranjha struggles against family and society. He rejects the pursuit of wealth and power as the measure of a man's worth. In distant Jhang, the spirited Heer Syal is an accomplished warrior who fearlessly challenges the norms of her community. Heer and Ranjha are destined to meet and fall in love-the former chastised for her 'manly' pursuits and the latter ridiculed for his lack thereof.Told from multiple perspectives, set against the lush riverbanks and rugged countryside of West Punjab, this is a wise, passionate and lyrical retelling of one of the subcontinent's most beloved epics. A rich cast of characters-Kaido Langra, Jhang's seemingly pious conscience-keeper; Malki, the mother of a daughter she cannot understand; Seida Khera, Heer's hapless fianc�; a silent, watchful crow; a flock of excitable pigeons who bear witness and a philosophical goat-all play their part in bringing this stirring story to life.Manjul Bajaj scratches away at the many meanings of love in the timeless tale of Heer-Ranjha, who dreamt not only of love for themselves but of a kinder, freer and fairer world for all of creation
In a society governed by strict marriage rules and the diktats of the Khap, Jugni knows love is not an option. Her beloved uncle, whose unspoken favourite she has always been, will die if he ever learns of this betrayal of family honour; her brothers, her grandmother who has brought her up, their social standing in the village, everything wiill be lost and she could end up a corpse hanging from a tree. She cannot - and must not - meet Raakha again. And yet...and yet... Set in the Rohtak Divison of the erstwhile Punjab province in the year 1909 - but as relevant today as a hundred years ago - COME, BEFORE EVENING FALLS paints a poignant picture of a young Jat girl torn between family loyalty and the undeniable impulse of love as compelling as it is doomed.
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The most important man in Ketaki's life - her maternal aunt Neera's husband - falls into a coma after a near-drowning incident. Brought face to face with the threat of losing someone deeply loved, someone who has been more than a surrogate parent to her since her mother's passing, Ketaki continues to swing between the solely sexual and altogether platonic relationships she has had with men - all the while battling to bring down the wall of her aunt's reserve. The silence between niece and aunt calcifies only to be broken when Ketaki's father visits from New York and shares with her a long-festering family secret.
Seventeen-year-old Unni Chacko has done something terrible. The only clue to his action lies in a comic strip he has drawn, which has fallen into the hands of his father Ousep, an anarchist. Ousep begins investigating the extraordinary life of his son, blissfully unaware that his long-suffering wife is plotting to kill him. Set in Madras in 1990, this is a darkly comic story involving the relentless pursuit of a failed writer who has found purpose, an adolescent cartoonist's dangerous interpretation of truth, the plots of a brilliant housewife, and the pure love of a twelve-year-old boy for a beautiful girl.
In 1903 a Brahmin woman sailed from India to Guyana as a ‘coolie’, the name the British gave to the million indentured labourers they recruited for sugar plantations worldwide after slavery ended. The woman, who claimed no husband, was pregnant and travelling alone. A century later, her great-granddaughter embarks on a journey into the past, hoping to solve a mystery: what made her leave her country? And had she also left behind a man? Gaiutra Bahadur, an American journalist, pursues traces of her great-grandmother over three continents. She also excavates the repressed history of some quarter of a million female coolies. Disparaged as fallen, many were runaways, widows or outcasts, and ...
‘Love is not consolation, it is light’ From the author of Maps for Lost Lovers and The Wasted Vigil comes a novel set in the months after 9/11, when Western armies invaded Afghanistan—a story of love, hope and grief, of uncorrupted faith and of what it means to be alive. Jeo and his foster-brother Mikal leave their home in Pakistan to help care for wounded Afghans. Within hours of entering the wide-horizoned Afghan landscape, Mikal and Jeo are separated and, emerging from the carnage, Mikal begins his search for Jeo. But his deepest wish is to return home—to the young woman he loves and who loves him, Jeo’s wife. The Blind Man’s Garden maps a place both phantasmally beautiful and chilling. Taking us on a journey from Al Qaeda’s hideouts in Waziristan and American-built military prisons to a family left behind—Mikal’s and Jeo’s blind, regretful father, Jeo’s resolute wife and her superstitious mother—it unflinchingly examines war and brotherhood, devastation, separation and remorse, while celebrating the redemptive power of nature, art and literature.
As Appu pieces together his fragmented past, one man's memory becomes the landscape of an entire nation's socio-political history. A touching portrait of the reconciliation between love and guilt, this novel parallels the state of a nation with the fall of a nuclear family, offering a poignant exploration of self-discovery and hope.