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Over the centuries, the art establishment has turned a deaf ear to the voices of women artists. These women were not silent, however, but constantly struggling to articulate their experience. For the first time, the unique and powerful voices of twenty female artists of the nineteenth and twentieth centuries, including such luminaries as Georgia O'Keeffe, Berthe Morisot, Mary Cassatt, Barbara Hepworth, Faith Ringgold, Paula Modersohn-Becker, and Frida Kahlo, have been gathered together in a single volume. These women all made eloquent and revealing disclosures about the personal and aesthetic issues that shaped their private lives, and their work. Often working in isolation, beset by doubt, ...
"I mean, what is a woman? I assure you, I do not know. I do not believe that you know. I do not believe that anybody can know until she has expressed herself in all the arts and professions open to human skill."—Virginia Woolf, Professions for Women Writing The Woman Artist is a collection of essays that explores the ways in which women writers portray women painters, sculptors, writers, and performers. Surveying the works of a variety of women writers—from the nineteenth and twentieth centuries, from different ethnic, national , racial, and economic backgrounds—this book treats their revisions of the Künstlerroman and their perceptions of the relationships between muse, artist, and a...
Women artist, such as Barbara Kruger, Eva Hess, Mary Kelly, and Adrian Piper, give voice to the visions that shape their work. This lively collection of texts provides a clear understanding and deeper enjoyment of the work of these leading women artists. 102 illustrations.
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they...
With the aid of women's studies professors, Deborah G. Felder has ranked social reformers, women's rights activists, scientists, educators, labour leaders, artists, performers and sports figures - women who have inspired, inflamed, changed attitudes, and changed the world. Many have passed into history as the first, the finest, or the most prominent women in their fields. Others are less known but equally significant achievers, receiving the recognition they deserve.
The 100 Most Influential Women of All Time ranks the outstanding contributions of the most influential women of all time -- from social reformers, women's rights activists, scientists, educators, and politicians to rulers, religious leaders, artists, performers, and sports figures -- women who have inspired, inflamed, changed attitudes, and changed the world.The struggles and triumphs of these extraordinary women are revealed in an insightfully written, detailed compendium that reflects the full history of women. Here are just a few of the women profiled: Eleanor Roosevelt (1), Marie Curie (2), Harriet Tubman (9), the Virgin Mary (10), Jane Austen (13), Rosa Parks (17), Mother Teresa (33), Catherine the Great (46), Anne Frank (66), and Lucille Ball (100). The lives, the achievements, and the battles that the 100 have waged on behalf of women, society, and selfhood make compelling reading.The 100 Most Influential Women is provocative and sure to generate controversy, debate, and discussion as readers eagerly scrutinize the list and each woman's ranking.
Both pragmatic and motivational, this book addresses what it means to have a successful long-term career in the arts, taking stock of the current landscape of the art world, introducing new venues in the field, reflecting on issues of social media and exhibition, and ultimately encouraging artists to take control of their professional lives. Weaving conversations from a range of internationally based artists who have negotiated alternative paths to success, lauded artist and teacher Stacy Miller provides a practical, lively reflection on what it takes to be an artist in our new global landscape. This book covers practical needs, different approaches, and philosophical ways of creating a life...
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.