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This book investigates the way the British national press covered Ireland and the ‘Irish question’ from the aftermath of the Easter Rising in 1916 to the ratification of the Anglo-Irish Treaty in 1922. Bridging the fields of history and media studies, it seeks to add to our understanding of the complex relationship between the press and politics. Using a case study of 11 newspapers, Erin Kate Scheopner investigates daily press coverage from the formative 1916-22 period to offer broader contextualisation and critical analysis of what the press, the reading public, and the government recognised to be happening in Ireland. The material examined includes articles, dedicated series, editorials, cartoons, letters to the editor, and reports from outside journalists and foreign press outlets. This research confirms that the British national press were not neutral bystanders in the Irish question debate but were active participants, helping to shape and influence the course of events that led to the signing of the Anglo-Irish Treaty.
The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
Fears and Fantasies: Modernity, Gender, and the Rural-Urban Divide explores the ways in which fantasies about returning to, or revitalising, rural life helped to define Western modernity in the early twentieth century. Scholarship addressing responses to modernity has focused on urban space and fears about the effects of city life; few studies have considered the 'rural' to be as critical as the 'urban' in understanding modernity. This book argues that the rural is just as significant a reference point as the urban in discourses about modernity. Using a rich Australian case study to illuminate broader international themes, it focuses on the role of gender in ideas about the rural-urban divide, showing how the country was held up against the 'unnatural' city as a space in which men were more 'masculine' and women more 'feminine'. Fears and Fantasies is an innovative and important contribution to scholarship in the fields of history and gender studies.
From Jewish clothing merchants to Bangladeshi curry houses, ancient docks to the 2012 Olympics, the area east of the City has always played a crucial role in London's history. The East End, as it has been known, was the home to Shakespeare's first theater and to the early stirrings of a mass labor movement; it has also traditionally been seen as a place of darkness and despair, where Jack the Ripper committed his gruesome murders, and cholera and poverty stalked the Victorian streets.In this beautifully illustrated history of this iconic district, John Marriott draws on twenty-five years of research into the subject to present an authoritative and endlessly fascinating account. With the aid of copious maps, archive prints and photographs, and the words of East Londoners from seventeenth-century silk weavers to Cockneys during the Blitz, he explores the relationship between the East End and the rest of London, and challenges many of the myths that surround the area.
Designs on Democracy examines a pivotal period in the formation of the modern profession of architecture in Britain. It shows how architects sought to meet the newly articulated demands of a mass democracy in the wake of the First World War. It does so by providing a vivid picture of architectural culture in interwar London, the Imperial metropolis, drawing on histories of design, practice, professionalism, and representation. Most accounts of this period tend to deal exclusively with the emergence of Modernism; this study takes a different approach, encompassing a much broader perspective on the liberal professional consensus that held sway, including architecture's mainstream and its so-ca...
Visions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Focusing on the archaeological investigation of a Moravian mission in southeastern Australia, the traditional country of the Wergaia-language speakers,Fantastic Dreaming examines how spatial organization, the consumption of Western goods, and the practices required by domesticity were used to transform Aboriginal people.
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
Governance and Public Space in the Australian City is a rich and evocative examination of the production and use of public spaces in Australian cities in the late-nineteenth and early-twentieth centuries. Using Brisbane as a case study, it demonstrates the way public spaces were constructed, contested, and controlled in attempts to create ‘ideal’ city spaces. This construction of space is considered not just in the literal and material sense but also as a product of aspirational and imaginative processes of city-building by municipal authorities and citizens. This book is as much about people as it is about cities – uncovering the manner in which perceived models of ideal urban citizen...