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Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on ...
Sounds French
'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
Hodson and Geddes' Cystic Fibrosis
Cystic Fibrosis has seen dramatic advances in treatment since the last edition, including targeted cystic fibrosis transmembrane conductance regulator (CFTR) protein modulators for most CFTR gene abnormalities. This new fifth edition is an update and expansion of the rapid clinical and scientific advances in improving prognosis, and the impact of COVID-19, all of which has transformed conventional models of care. It covers basic science, such as how detailed understanding of the biology of the CFTR gene and protein has led to novel and beneficial therapies, as well as all aspects of clinical management in high-, middle- and low-income settings and the voices of individuals with CF from acros...
The Complete & Independent Guide to the Eurovision Song Contest 2015
Måns Zelmerlöw won a thrilling 2015 Eurovision Song Contest for Sweden. "Heroes" gained 14 12 points in the semi-final. Runners-up Russia were the first to score over 300 points and not win. Without the juries though, Italy would have won the Contest, Sweden would have finished 3rd. Hosts Austria suffered the dreaded "nul points" but Germany also scored 0 & thanks to the tie-breaker rules, Austria avoided last place. Cyprus startled everyone by not giving Greece 12 points. The 2015 Edition of the Complete & Independent Guide is the 8th edition of the book & as usual it's packed with details of every Contest since 1956. We've expanded the Guide again this year to include extra facts, statistics & records, including the full jury & public vote split rankings for the Final, analysis of how countries have voted for the eventual winners, how debutant countries have fared following Australia's success & how the final table would look if it was based on average points received & lots more!
Chanson
La terminologie des genres chansonniers a suscit l'int r t des musicologues, m di vistes, ethnomusicologues et bibliographes soucieux d'une meilleure compr hension de la production chansonni re. L' tude du vocabulaire chansonnier fran ais met en relief l'existence d'un genre litt raire plus ou moins bref d nomm par le mot chanson. C'est du mot chanson et de sa famille lexicale, depuis ses origines en ancien fran ais jusqu' nos jours en fran ais moderne, dont il sera question. La pr sente tude entend cr er un vocabulaire op ratoire utile pour l'avancement des recherches relatives l' tude th orique de l'objet-chanson. Elle conceptualise l'objet-chanson et s mantiser les lex mes de la famille d...
The Cambridge Companion to French Music
This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.
National Union Catalog
Includes entries for maps and atlases.
Post-War French Popular Music: Cultural Identity and the Brel-Brassens-Ferré Myth
Jacques Brel, Georges Brassens and Léo Ferré are three emblematic figures of post-war French popular music who have been constantly associated with each other by the public and the media. They have been described as the epitome of chanson, and of 'Frenchness'. But there is more to the trio than a musical trinity: this new study examines the factors of cultural and national identity that have held together the myth of the trio since its creation. This book identifies the combination of cultural and historical circumstances from which the works of these three singers emerged. It presents an innovative analysis of the correlation between this iconic trio and the evolution of national myths th...
