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How has the Liturgy of the Roman rite developed and changed in history before and after the Council of Trent? What principles have determined the boundaries of legitimate liturgical reform over the centuries? What was the Liturgical Movement? Did Guéranger, Beauduin, Guardini, Parsch, Casel, Bugnini, Jungmann, Bouyer and the Movement's other leaders know and respect these principles? And what is to be said of the not insignificant liturgical reforms carried out by Saint Pius X, Popes Pius IX and Pius XII and Blessed John XXIII in the course of the twentieth century? In The Organic Development of the Liturgy, Dom Alcuin Reid examines these questions systematically, incisively and in depth, identifying both the content and context of the principle of "organic development"-a fundamental principle of liturgical reform of the Second Vatican Council's Constitution on the Sacred Liturgy Sacrosanctum Concilium-making a significant contribution to the understanding of the nature of the Liturgical Movement and to the ongoing re-assessment of the reforms enacted following the Council.
"This book is a work of medieval history and the history of gender and sexuality. It looks at the biblical King David, who has multiple paradigmatic identities in the Middle Ages: king, military leader, adulterous lover, sinner. It views David primarily from the perspective of medieval European Christian society but also from the medieval European Jewish viewpoint"--
Tamsin Jones believes that locating Jean-Luc Marion solely within theological or phenomenological discourse undermines the coherence of his intellectual and philosophical enterprise. Through a comparative examination of Marion's interpretation and use of Dionysius the Areopagite and Gregory of Nyssa, Jones evaluates the interplay of the manifestation and hiddenness of phenomena. By placing Marion against the backdrop of these Greek fathers, Jones sharpens the tension between Marion's rigorous method and its intended purpose: a safeguard against idolatry. At once situated at the crossroads of the debate over the turn to religion in French phenomenology and an inquiry into the retrieval of early Christian writings within this discourse, A Genealogy of Marion's Philosophy of Religion opens up a new view of the phenomenology of religious experience.
Most readers first encounter Augustine's love for Scripture's words in the many biblical allusions of his masterwork, the Confessions. Augustine does not merely quote texts, but in many ways makes Scripture itself tell the story. In his journey from darkness to light, Augustine becomes Adam in the Garden of Eden, the Prodigal Son of Jesus' parable, and the Pauline double personality at once devoted to and rebellious against God's law. Throughout he speaks the words of the Psalms as if he had written them. Crucial to Augustine's self-portrayal is his skill at transposing himself into the texts. He sees their properties and dynamics as his own, and by extension, every believing reader's own. I...
This bold new work discusses truth, and the value of a metaphysical approach to truth, from philosophical and theological perspectives.
In the closing decades of the twelfth century, the Cistercian Order had become an important ecclesiastical and economic power in Europe. Yet it had lost its influential spokesman, Bernard of Clairvaux, and as the century drew to a close, religious sensibilities were changing. The new mendicant orders, the Franciscans and the Dominicans, and the impulses they embodied were to shift the center of gravity in Christian religious life for centuries to come. It was in this transitional period that Conrad of Eberbach gradually—between the 1180s and 1215—compiled the Exordium magnum cisterciense: The Great Beginning of Cîteaux. It is a book of history and lore, often with miraculous stories, me...
For all of the Bible's popularity both in the church and in Western culture, confusion reigns about what the Bible is, its relationship to God, its relationship to its human authors and readers, and its proper use. Living and Active answers these fundamental questions by looking anew at Scripture from the perspective of Christian doctrine. Rather than treating the Bible as a sourcebook for theology, Telford Work uses systematic theology to build a compelling new doctrine of Scripture: the doctrine of God establishes the Bible's triune character and purpose; the doctrine of salvation explains the mission of Scripture in ancient Israel, in the career of Jesus, and in the life of his followers;...
Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptu...
How are martyrs made, and how do the memories of martyrs express, nourish, and mold the ideals of the community? Sanctifying the Name of God wrestles with these questions against the background of the massacres of Jews in the Rhineland during the outbreak of the First Crusade. Marking the first extensive wave of anti-Jewish violence in medieval Christian Europe, these "Persecutions of 1096" exerted a profound influence on the course of European Jewish history. When the crusaders demanded that Jews choose between Christianity and death, many opted for baptism. Many others, however, chose to die as Jews rather than to live as Christians, and of these, many actually inflicted death upon themsel...
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of A...